Lively + Charming + Talented - That is Lady Be Good.
Lady Be Good is a collection of modern pop, classic jazz and soulful RnB. Lady Be Good is led by vocalist Kat Langdon and features some of the best musicians Toronto has to offer. Every member is a working professional musician bringing their individual experience and artistry to the group.
Lady Be Good started in August 2013 as a side project of vocalist and bandleader, Kat Langdon. Together with George Chenery (bass), Ewen Farncombe (keyboard) and Louis Baranyi-Irvine (drums), the band quickly grew into one of the most sought-after acts in the city. In 2016, Lady Be Good expanded to include The Collective, offering additional musicians available for corporate events.
While the newly expanded team delighted clients and couples, the original group worked on creating something new. Kat, George, Ewen and Louis embarked on their first recording project, The Christmas Album, that was released on November 18, 2016.
Going into its 12th year of Music, Love and Charity, the Andy Kim Christmas has been gathering friends and fans together to celebrate the spirit and generosity of the musical community in Toronto with all proceeds going to charity. The concert event is the brainchild of music legend, and the evening’s host and performer, Andy Kim.
Andy Kim and his Christmas Show has now become as much a part of the Toronto traditions like the tree lighting ceremony at Nathan Phillips Square and The Bay Christmas windows.
In October 2015 Canadian Music Week inducted Andy Kim into the Canadian Music Industry Hall of Fame in honour of his achievements and longstanding career in the music industry.”Andy Kim’s contributions to the Canadian and international music community are truly remarkable in his almost 50 year career,”says CMW President Neill Dixon.
Like a real-life character out of Bruce McDonald’s classic film Hard Core Logo, Scott Earl Hardy has played the same dives across Canada more times than he’d care to mention, been on the wrong end of too many bad deals, and survived his share of near-death experiences. Yet, through it all, he never lost his passion for writing and performing rock and roll in its most dangerous form.
Hearing Hardy’s new album, Love Kills Slow, without knowing any of this, one could easily assume that its go-for-broke arrangements and no-holds-barred lyrics were the work of an artist at least half Hardy’s age. But deep within these grooves lies punk rock’s original promise, fulfilled by music only someone with Hardy’s credentials could create.
Love Kills Slow is a collection of the best tracks Hardy has recorded over the past few years at producer John Dinsmore’s Toronto studio, Lincoln County Social Club. Dinsmore also contributed scorching lead guitar, after laying the foundation on bass with his NQ Arbuckle rhythm section mate Mark Kesper on drums.
Alt-rockers, The Balconies, have had a banner season already with the release of their epic new album, Rhonda, and have kicked off their fall tour that will take them across the country through November and December. Now, with their adopted-hometown Toronto show set to hit the stage at Lee’s Palace tonight, the group is excited to share the next piece of Rhonda – a stunning music video for the title track. Watch the story unfold here.
“Finding balance is a challenge for everyone,” says frontwoman, Jacquie Neville. “How do we find time to be social, creative, alone and reflective, and also find time to make a living? As musicians, it’s difficult to find a balance between doing what you really want, and what you need to in order to survive. We consider it very important to do things that fuel our passion, and inspire and empower us. RHONDA, our heroine, struggles to achieve equilibrium in her life: she wants to reject working a traditional job, but fears of uncertainty, and her insecurities, hold her back.”
An unseasonably warm November wind was setting the mood for The Ault Sisters at 120 Diner. The Mississauga trio, mostly still in their teens, work the retro swing thing and work it with style and grace. Case in point, they faced a tiny crowdlet and went about engaging everyone of us with a full-on performance. In the process turning out vivid interpretations of such as "Ain't Misbehaving" and "Boogie Woogie Bugle Boy" . Between sets they worked the room like it was packed solid, stopping by each table to check that everyone was liking the vibe. Which was inclusive enough for a sweet, swinging, almost scatlike take on Van Morrison's "Moondance."
What they're currently up to was highlighted by an original, "Wasting My Time With You", a soulful nugget with a contemporary feel even as it references The Andrews Sisters and The Ronettes. It's part of an album currently in the production stage and due in March 2017. If this single's an example of its DNA, it should be a grabby one.