October 2017

BTW Steve Martin and The Steep Canyon Rangers , Cold Specks, Tei Shi, Ol'Savannah, ScMira, Jessica Lea Mayfield, Tricky, Nice Knees, Little Steven and the Disciples Of Soul, Max Weinberg's Juke Box

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Submitted by Lenny Stoute
Photo: Steve Martin and the Steep Canyon Rangers
 

Steve Martin and The Steep Canyon Rangers released The Long-Awaited Album on Rounder Records on September 22. The Long-Awaited Album, Martin's newest collaboration with the Grammy-winning North Carolina-based band, The Steep Canyon Rangers, is full of stories that mix humour and melancholy, whimsy and realism, rich characters and concrete details. And lots of banjos.

That instrument, dexterously, even acrobatically picked and strummed, is just as crucial to relating these new tales as the lyrics themselves, each chord and riff revealing new depths to Martin’s narrators and to his musical talent. Produced by Peter Asher, the new album is a collection of 14 stunning new songs including the boisterous and humorous new track Caroline, the deeply romantic tune All Night Long, and the fantastical song Santa Fe, which showcases the lively dynamic between Martin and the Rangers.

Proudly Canadian: Five Man Electrical Band (The Staccatos)

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The Five Man Electrical Band (originally known as The Staccatos from 1963–68) is a Canadian rock group from Ottawa. They had many hits in Canada, including the top 10 entries "Half Past Midnight" (1967) (as The Staccatos), "Absolutely Right" (1971) and "I'm a Stranger Here" (1972). Internationally, they are best known for their 1971 hit single "Signs”.

The band The Staccatos was formed in Ottawain 1963. It initially included singer Dean Hagopian, guitarist Vern Craig, bass player Brian Rading and singer/drummer Rick Bell (born Rick Belanger). Hagopian left after about a year, and was replaced by vocalist and guitarist Les Emmerson , who would become the band's prime songwriter, while Bell and Emmerson split lead vocal duties.


Nilüfer Yanya Releases New Single Baby Luv On Ato Records

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Submitted to Cashbox Canada

22 year old Londoner Nilüfer Yanya has revealed her new single "Baby Luv" -- her first release since the acclaimed Plant Feed EP in July. The single will be Nilüfer's first release on her new U.S. label ATO Records -- and Blue Flowers Music in the U.K. Nilüfer will also travel to the U.S. for her first North American shows at New York's Mercury Lounge (November 14th) and Los Angeles' Masonic Lodge at The Hollywood Forever Cemetery (November 16th).

Emerging in 2016 with her debut EP Small Crimes, Nilüfer Yanya has gone on to establish herself as one of the most promising British songwriters and guitarists of her generation. Nilüfer's 2017 follow up EP, Plant Feed proved her breakthrough moment with Pitchfork crowning her a 'Rising' artist, MistaJam selecting her as a 'New Name' on BBC Radio 1 and Broken Social Scene and The xx all handpicking her to perform as support at their headline dates.

Watch the video for "Golden Cage," which Pitchfork previously said "is the kind of song you love to sing, sure, but it's as much the kind of song you want to be":
https://www.youtube.com/watch?v=cbwZIRcsdDo

Nilüfer will announce a new project in the coming weeks ahead of her first U.K. headline tour -- which includes her biggest headline show thus far at London's Omeara on October 16th as well as dates in Bristol's Louisiana (October 17th) and Brighton's Hope & Ruin (October 18th).

Betty's New Moon Comes Chrome Plated

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Submitted by Lenny Stoute

In these troubled times, Betty Moon wants us to all to chrome out and appreciate the bright and shiny aspects of life. So it follows that her current cookie Chrome is the soundtrack to all that appreciation, an on point SoCal NuPop sound filtered through Moon's quirky and all-embracing sensibilities.

“The name Chrome comes from an expression I use. When you think of chrome, you think of shiny, sparkling, something that mesmerizes you, the cream of the crop. That was how we saw the album, so Chrome it was."

If you're familiar with Moon's output, 7 albums staggering the lines between Goth, garage rock and metal, this shiny happy new thing seems to be coming outa nowhere. Truth is, Betty's always been a genre dabbler. While the lines she's blurring may have changed, the blurring itself remains, flirting brazenly with disco, clubby bangers, pure pop harmonies and Europop and techno throughout. Being Betty, the girl pop on " Bullet To My Brain" and "Natural Disaster" comes over like something Haim and Nina Hagen cooked up in a Detroit basement.

“The album was crafted to be a collection of singles, each strong and attractive on its own. I would get the feeling of an idea, a flavour, and the songs would evolve from there in an organic way. We worked on them together as a band and by the end of recording we had about 25 songs. Picked 12 for the album, set the others aside for other projects, and put together Chrome.”

Sony Music Releases Battle of the Sexes Soundtrack

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Submitted to Cashbox Canada

Sony Music proudly has released of BATTLE OF THE SEXES (Original Motion Picture Soundtrack) with the score of Academy Award-nominee composer Nicholas Britell, and an original song by Grammy and Tony nominee Sara Bareilles and composer Nicholas Britell.

In the wake of the sexual revolution and the rise of the women's movement, the 1973 tennis match between women's world champion Billie Jean King (Emma Stone) and ex-men's-champ and serial hustler Bobby Riggs (Steve Carell) was billed as the "Battle of the Sexes" and became one of the most watched televised sports events of all time, reaching 90 million viewers around the world. As the rivalry between King and Riggs kicked into high gear, off-court each was fighting more personal and complex battles. The fiercely private King was not only championing for equality, but also struggling to come to terms with her own sexuality, as her friendship with Marilyn Barnett (Andrea Riseborough) developed. And Riggs, one of the first self-made media-age celebrities, wrestled with his gambling demons, at the expense of his family and wife Priscilla (Elisabeth Shue). Together, Billie and Bobby served up a cultural spectacle that resonated far beyond the tennis court, sparking discussions in bedrooms and boardrooms that continue to reverberate today.