January 2018

Indie Week Early Bird Special Ends January 23, 2018

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Submitted to Cashbox Canada

Now in its 15th year, Indie Week Canada (IWCAN) is one of Canada’s top emerging artist festivals hosting 300+ artists, 25+ venues in 6 days. Indie Week puts industry and artists together, acts have made connections and have built new business furthering their career. Along with artist showcases, Indie Week hosts the Indie101 Music + Tech Conference with industry leaders and over 80 speakers – artists have the opportunity to participate in mentorship, classroom and 1-on-1 sessions along with the regular industry panels. Indie Week is a great launch pad for artists wanting to enter into the North American and Canadian markets and make the connections that can help take your band to the next level.

Indie Week Canada has become one of Canada’s premiere indie music festivals showcasing 300+ acts from all over the world in front of music industry professionals.

Indie Week offers 6 nights of showcases, late last call after parties serving until 4am, 25+ venues, music industry panels, industry mixers, demo listening sessions, mentorships, sponsored stages and more.

Past Performers Include:
Finger Eleven, Philip Sayce, Mike Joyce (The Smiths), Glen Matlock (Sex Pistols), Parallels, The OBGM’s, Walk Off The Earth, Dearly Beloved, Single by Sunday, #FamilyGrind, Tokyo Taboo, Partner, LYON, Blaze Bayley (Iron Maiden), Sumo Cyco, Ill Scarlett, Trampa, Dani Strong, Danielle Bourjeaurd

James Leblanc The Nature of the Beast

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Submitted by Don Graham

If you like your singer/songwriter records to be raw, pure and rich in honest pure emotion then James Leblanc’s new release 'Nature of the Beast' is a must have for your music library. James combines the social conscience and primal messages of Steve Earle, the flair of Townes Van Zandt and the poetry of Guy Clark while still keeping it distinctly James Leblanc.

Even if you haven’t heard the name James Leblanc you’ve heard his songs, having racked up sales of over 25 million records with artists recording his tunes. The best known so far would be “Modern Day Bonnie and Clyde” by Travis Tritt although with a song on the new Tim McGraw /Faith Hill album that could change. Songs by Jason Aldean, “Relentless” and Gary Allen “Learning How To Bend” add to the list.

'Nature of the Beast' is Leblanc’s first effort in a decade and was worth the wait. I was fortunate to meet James when I recorded recently in Muscles Shoals at the Nutthouse Studio and James was the session guitarist. And the Nutthouse is where James, a Shreveport Louisiana native living in the Shoals area, recorded 'Nature of the Beast' with fellow Louisiana native, Grammy Winner Jimmy Nutt along with Muscle Shoals Rhythm Section bassist David Hood and James’ son Dylan and partner Angela Hacker. Of the 12 tracks, all but two written or co-written by LeBlanc with exceptions being “Answers” written by James’ son Dylan and “Beans” the old chestnut from Shel Silverstein.

Consequence of Sound Names King Gizzard and the Lizard Wizzard Band of the Year

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Submitted to Cashbox Canada

On the heels of a transformative and ultra-productive 2017 (releasing five studio albums) Melbourne's King Gizzard & The Lizard Wizard will return to the U.S. and Canada this spring for a major cross-country tour hitting nineteen cities including Toronto, Montreal, and Vancouver. The band will play their largest venues to date such as LA's Hollywood Palladium, San Francisco's Warfield Theatre, and NYC's Brooklyn Steel.

As promised at the beginning of the year, King Gizzard successfully released an unprecedented five studio albums in 2017 with the release of Gumboot Soup arriving this past New Year's Eve. 2017's other previous four records - February's Flying Microtonal Banana, June's Murder of the Universe, August's Sketches of Brunswick East and November's Polygondwanaland - have all received critical acclaim and contributed to a whirlwind year for the band. Some benchmarks include their first Coachella performance, their worldwide TV debut on Conan and headlining sold-out shows at landmark venues including two nights at Chicago's Lincoln Hall, two nights at New York City's Webster Hall and San Francisco's The Fillmore.

In years to come, King Gizzard & The Lizard Wizard will be judged not by their separate albums, but by a body of work where themes, melodies, motifs, riffs, and ideas resurface and recur, each album peeling back a layer of the onion to glimpse at past and future alike.

Nathaniel Rateliff & The Night Sweats On Stax Records

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Submitted to Cashbox Canada

On March 9th, Stax Records will release Tearing at the Seams, the highly anticipated new album from Nathaniel Rateliff & The Night Sweats. Tearing at the Seams follows the band’s critically and commercially lauded, self-titled debut album, which is certified Gold in the U.S., Belgium, Switzerland and the Netherlands, Platinum in Canada, and Silver in the U.K.

You Worry Me, the lead single from the new album, has premiered worldwide today, In addition to the 12-track standard edition, Tearing at the Seams will be available in a 14-track deluxe edition that features two bonus tracks and exclusive photos. Vinyl editions include the (2-disc, 180gram) 12-track standard edition and the (2-disc, 180gram) 14-track deluxe edition, which features an exclusive photo book and special 7” single. Initial writing and recording sessions for Tearing at the Seams took place in Rodeo, New Mexico, where Rateliff & The Night Sweats re-established their dynamic off the stage and in the studio.

“For the first record, I demo’ed everything up and created most of the parts,” said Rateliff. “This time, I felt like we’ve all spent so much time on the road that we should all go off somewhere together. We should all have that experience together.”

Six Questions for Terry Gomes

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Submitted by Lenny Stoute

Terry Gomes is a University of Ottawa music graduate, having studied classical guitar and composition. He has released six recordings altogether. The last three marked a switch into instrumental music fusing World, Latin and Smooth Jazz genres. His newest and seventh recording, “The Tropical Dream”, is a concept album tracing the stages of a tropical vacation. Written while recovering from a slow-healing back injury, it pays homage to his childhood experiences growing up in a Guyanese culture, and to the memories of traveling with his family to the Caribbean.

Cashbox Canada recently had a chance to ask Terry Gomes some questions about his career and music.

Tell us about the concept/theme of the new album.

My new album, The Tropical Dream, is an instrumental concept album outlining a tropical vacation; the anticipation/excitement about the trip, the arrival, things experienced when you are there, and the inevitable return home to cold weather. Fusing elements of World, Caribbean, Latin and Jazz, it is intended to be listened to in the privacy of your own thoughts to experience the journey. It was never meant to be performed live with all of the distractions that can bring. I intentionally released it in mid-January, a time when many Canadians (myself included), are longing to head south.

Two biggest influences?