August 2018

BTW Colour Film, Basement Revolver, Jim Kweskin, Vince Gill, Leo Vance, Annie Bonsignore, Dilly Dally, The Flatliners

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Submitted by Lenny Stoute

Some say this is pop music for your mind’s eye. With songs that play like home movies rich in imagery and characters, Colour Film is the stage name of Hamilton, ON's multitalented Matthew de Zoete. The moniker embodies his idea of songs as little films, where a combination of characters, stories, and emotions create a visual element in the listener's mind. His latest release Super 8 blends pop and folk to set six of these cinematic songs in an atmospheric soundscape conjured with producer Les Cooper (Jill Barber, Good Lovelies). Imagine Nick Drake cheering up a bit and meeting Beck.

Since 2006, de Zoete (pronounced "duh-ZOO-tuh") has released three previous albums under his own name and toured throughout North America and Europe. He has shared the stage with acts such as Serena Ryder, Great Lake Swimmers, and Whitehorse, and he's performed at festivals including North by Northeast, Canadian Music Week, JUNOfest, and Stukafest (Netherlands).

The song is a duet with Caroline Brooks of the Good Lovelies: https://soundcloud.com/colour-film-791058487/open-road

Watch the video for the lush folk of Open Road. https://youtu.be/2W42zohp3oE

Carlos Santana Up Close and Personal

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Submitted by Iain Patience

Carlos Santana is, without doubt, one of the finest guitarists modern music has to offer. From his explosive appearance on the Woodstock stage fifty years ago, in 1969, through his work with Miles Davis, Wayne Shorter and the legendary blues duo of Mike Bloomfield and Al Kooper, Santana has remained a unique, instantly recognizable figure in both the blues and world music camps.

Now, with a new band behind him and an ambition and optimism that he believes is leading him back to his ‘blues roots,’ he is about to hit the road with a promise of Santana at his very best, a bluesman with a purpose and a genuine desire to take the music world by the scruff of its neck and deliver a promise that he believes will push him straight back into the spotlight where many would agree he clearly belongs.

Mike Munson: Rose Hill

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Submitted by Iain Patience

This is a new artist and a new label both with strong connections to bluesman Jimmy ‘Duck’ Holmes and his family-run downtown café-bar-juke joint in Bentonia Mississippi. Munson has released a few self-produced indie efforts in recent years but ‘Rose Hill’ marks a change with a new US blues label and an optimistic purpose that shines through each successive track.

Munson favours acoustic guitar mostly, with some enjoyable and understated slide-work also thrown into the mix. His own approach is clearly influenced by the likes of Skip James and Jack Owens, both pioneers of the style now largely labeled, ‘Bentonia Blues,’ a type of picking that leans heavily on tradition but sparked-up by haunting, eerily redolent minor tunings. This is the style favored by Jimmy ‘Duck’ Holmes himself, who guests here on one track, and which pretty much owes its origins to Holmes’s family business, the renowned Blue Front Café in Bentonia where the album was recorded.

Munson includes covers of a few blues standards including ‘Keep Your Lamp Trimmed and Burning,’ Bukka White’s ‘Shake ‘Em On Down’ and perhaps most fittingly Jack Owens’ ‘Jack Ain’t Had No Water,’ a song and late player-writer who also helped create the Bentonia sound way back. At other times, Munson hits an instrumental note with picking that holds clear echoes of Charlie Parr, an evident influence with his strikingly original fretwork and always the near-unique style of attack.

Wily Bo Walker: Almost Transparent Blues

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Submitted by Iain Patience

Wily Bo Walker is one of those guys who never seems to fail to deliver interesting, varied, finger-on-the-pulse blues music that rips and roars along pulling in a huge variety of influences and crossing genres at almost every twist or turn. Originally from Scotland, Walker is a London-based picker, singer-songwriter who is prepared to nail his colors and balls to the wall with a remarkable release bulging at the seams with sheer class and originality.

In recent years he has turned out albums that always surprise and delight in pretty much equal measure. His fretwork is gripping and driving while his voice scratches the paint from bar-room walls and clears the head with ease. With this latest offering, ‘Almost Transparent Blues,’ Walker again turns up the heat to produce an eleven-track album that holds echoes of Stevie Ray one moment followed by Lightnin’ Hopkins and Springsteen or Joe Cocker the next. Each successive cut draws the listener deeper into his revelatory riptide and rattles the roof with startling effect and essence.

Joined, as usual, by two of his oldest buddies here, ED Brayshaw and Karena K, Walker kicks-off with some smouldering Memphis horns before moving on to cover Americana, soul, blues, roots and almost everything in between before throwing in a down-south, swampy voodoo vibe and a touch of Tom Waits to the mix.

James Leblanc and The Winchesters Still Needing Your Pledge for The Devil Between My Ears

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Submitted by Don Graham

James Leblanc and The Winchesters are trying hard to reach their goal on Pledge Music but still need your help. James and The Winchesters are based in the Muscle Shoals area and are hard at work at The Nutthouse Recording Studio recording their album ‘The Devil Between My Ears’. Bandleader James Leblanc, “Thanks for this opportunity to keep getting the word out. The first thing I want y’all to know is I ’m grateful to be able to make records. We have a blast doing it and it’s so much fun. I am pumped for this album, it’s going to a little different from my solo CDs, a little more of a band feel and is gonna be a little more aggressive. We will be exploring some southern rock aspects of ourselves, a little more edge to it musically. Plus my lady, the super talented is gonna be steppin’ out and singin’ some leads, so I’m pumped. And I am happy to tell you that the new album is coming along. We still need your help with pre-orders through our PledgeMusic campaign.”

The band concept, although still the basic James Leblanc sound that is so gripping, has the added colors of a band feel with the super talented Angela Hacker providing great vocals as a counterpoint to James, signature honest, pure and sincere take on the tunes. The band is as tight as anything you’ll hear with fellow Shreveport native Jimmy Nutt laying the foundation with rock solid bass lines, Evan Lane on drums and Brad Kuhn on keys.