Music

Texas Sensation Cody Jinks To Release New Album Lifers His Rounder Records Debut

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Submitted to Cashbox Canada

Hailed as "a real deal country singer" and songwriter who pens "old-school country [songs] about love, loss, vices, God, friendships and navigating it all the best that you can" (Omaha World-Herald), Cody Jinks will issue what Rolling Stone touts as "his much-anticipated album," Lifers, on July 27. It's the first release under his recently-inked deal with Rounder Records by a genuine independent music phenomenon who boasts a quarter-million records sold, millions of streams and strings of sold-out shows packed with avid fans. Lifers is now available for pre-order here.

He precedes the 11-track album with its first single, Must Be the Whiskey, a spirited number in the grand drinking song tradition that just released last week on June 15. It's a boozy yet wise rumination on how "these thoughts in my head are a whirlwind of a world of regrets/All the things I should've done or things I should've said/All the pain that comes with making a mess of yourself."

BTW- Frazey Ford, The Ault Sisters, Megan Bonnell, Andrés Sierra, Howard Gladstone, Ditches, Major Love

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Submitted by Lenny Stoute

Taking a break from the famed Be Good Tanyas, founder member Frazey Ford has dropped a cover of the Funkadelic classic “Can You Get To That”. This song accompanies her cover of D’Angelo's “When We Get By”, released last year. Together, these tracks are the first new music since 2014’s critically acclaimed Indian Ocean. Frazey’s version of “Can You Get To That”, varies wildly from the original. Frazey brings her distinctive voice which complements the organic instrumentation. The arrangement strips the song down to its core and builds it back up into Frazey’s singular folk-soul style. "I first heard this Funkadelic track years ago while planting trees on a mountainside in intense heat,” says Frazey. “That moment of hard work, sweat and deep funk has always stayed with me."

LISTEN AND SHARE “CAN YOU GET TO THAT” (FUNKADELIC COVER) HERE

BTW Dennis Ellsworth, Jim Andralis & The Syntonics, Jordan Officer, Terra Lightfoot, Yukon Blonde, Jonas Tomalty, The Greasemarks

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Submitted by Lenny Stoute

The change has come for Dennis Ellsworth. It's in the title and in the grooves of fifth solo album Things Change, which finds Ellswort embracing a dynamic new power pop sound, as opposed to the roots rock approach he has previously been known for.

The Prince Edward Island native's currently taking it to the people on a national ticking all the major boxes. The approach can be credited in part to Ellsworth teaming up with Joel Plaskett, who assumed production duties and enlisted compadres Charles Austin (Superfriendz) and Dave Marsh (longtime drummer in Plaskett’s backing band the Emergency), to participate. The results on Things Change are a brilliant convergence of his irresistible songwriting chops with Plaskett and co.’s trademark vintage guitar-driven sound.

Cordovas Make Their Ato Record Debut with That Santa Fe Channel

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Submitted to Cashbox Canada

Rooted in triple-stacked harmonies, southern storytelling, and cosmic country twang, Cordovas create their own version of American roots-rock with That Santa Fe Channel, out August 10th on ATO Records. That Santa Fe Channel was produced by the Milk Carton Kids' Kenneth Pattengale in East Nashville, not far from the home that doubles as the band's rehearsal space, headquarters, and shared living quarters. The album is timely - and timeless - blurring the lines between rock, country, and amplified folk music. It's highlighted by unbelievable harmonies, loose-yet-masterful musicianship and undeniable songwriting chops.

Years before Cordovas' formation, bandleader Joe Firstman travelled the country as a solo musician. Raised in North Carolina, he moved to Hollywood as a determined 20-year-old, signing a major-label deal with Atlantic Records. When a dizzying blur of acclaimed shows - including opening dates for Sheryl Crow and Willie Nelson - weren't enough to satisfy the expectations of a big-budget record label, Firstman lost his contract and took a new job as music director on Last Call with Carson Daly. It was good work, with Firstman performing nightly alongside first-rate musicians like Thundercat and Kamasi Washington.

BTW Century Thief, Lief Hall, CARLO, Dee & The Grand Brothers, NXNE, Trent Severn, Betty Moon, Excuses, Excuses, Tara Shannon

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Submitted by Lenny Stoute

Here's a genre-defying crew with a lot of reach and some neat riffing.

For starters, check the ever-expanding orchestral folk-pop of ''Deaf Beneath The Waves" here: https://soundcloud.com/century-thief/sets/deaf-beneath-the-waves
Bandcamp: https://centurythief.bandcamp.com/album/deaf-beneath-the-waves
Spotify: https://open.spotify.com/album/4Hg8Z90V37E4uuDj6cvd62?si=rTRxh3oeSoulYxXv__ytBw

Century Thief is a six-piece band based in Toronto, ON. They bring a blend of introspection and energy, sometimes soft, sometimes noisy experimental indie rock featuring brass, woodwinds, keys, guitars, bass, drums and multi-layered vocal harmonies.

Their favourite description comes from a sound engineer in Montreal, who described the band as trash lounge folk prog rock. Drawing on influences like Broken Social Scene, Radiohead, Jeff Buckley, Wilco, and Elliott Smith, it seems pretty apt. They are noisy and melodic, with a touch of salty nostalgia.

James LeBlanc and the Winchesters: The Devil Between My Ears

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Submitted by Don Graham

Americana singer/songwriter James LeBlanc is embarking on a brand new exciting project fresh on the heels of his critically acclaimed CD ‘The Nature of the Beast’. We caught up with James at his home in the Muscle Shoals area of North Alabama. “Thanks for this opportunity to get the word out. The first thing I want y’all to know is I ’m grateful to be able to make records. We have a blast doing it and it’s so much fun. I am pumped for this album, it’s going to a little different from my solo CDs, a little more of a band feel and is gonna be a little more aggressive. We will be exploring some southern rock aspects of ourselves, a little more edge to it musically. Plus my lady, the super talented Angela Hacker, is gonna be steppin’ out and singin’ some leads, so I’m pumped.”

James has started a Pledge Music campaign to get this project out there. “What I want to say to people about the campaign is ‘We need you’ We’re trying to bypass all the middlemen and red tape and bring somethin’ straight to you from us. No filters. “Here’s the info on the campaign in James’ words.

“Hey, guys! I am SO HAPPY to finally tell you . . . we have started recording the new album. And this time, you can be a vital part of the process by helping us with pre-orders through our new PledgeMusic campaign. It's really simple. Just click on the link, watch the video, then scan through all the great items and packages we have available for pre-sale. https://www.pledgemusic.com/projects/jamesleblanc

Micke Bjorklof & Blue Strip Twentyfive Live at Blues Baltica

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Submitted to Cashbox Canada

Twentyfive Live at Blues Baltica” is the new album release from Finnish Blues Award-winning blues-rock group Micke Bjorklof & Blue Strip. This is the follow-up to the critically acclaimed 2015 “Ain´t Bad Yet” album, which was produced by Grammy Award-winning John Porter. With this live album, Micke Bjorklof & Blue Strip celebrate their 25 years career as a touring blues band. This performance was a part of the “Ain´t Bad Yet – 25-Live” anniversary tour. It represents 25-years of hard work and chronicles the band’s most popular material from this period. Through the years, the band has been frequently asked: “When are you going to do a live album”. Now, after delivering six studio albums, they thought it was the right time.

"This vibrant concert in front of 1200 enthusiastic listeners demonstrates clearly this band’s special qualities: the finest songwriting, outstanding instrumentals and first-class singing satisfy any desire. Unbelievable were the force and the intensity that went into every single song of this concert. On top of that, the guys showed an enthusiasm on stage that can even be heard on this album”, says Helge Nickel (Baltic Blues Society)

BTW Tara Shannon, Conor Gains, Cowboy Junkies, Lee Aaron, The Young Novelists, The Trews, Ghost

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Submitted by Lenny Stoute

Gonna start off on a serious note this week. Award-winning adult contemporary artist Tara Shannon is proud to align with LymeHope , a not-for-profit organization dedicated to education and outreach on the subject of Lyme and related diseases in Canada. After being personally affected by the disease in recent months, this cause is close to the artist’s heart. LymeHope aims to raise awareness on the devastating disease affecting four-million Canadians. Known for supporting local and national charitable campaigns throughout her career, including the Butterfly Child project and Big Brothers and Big Sisters’ BeYou , Tara looks forward to lending her voice to LymeHope.

Lyme Disease, a serious bacterial infection which can affect every organ system in the body, is completely unheard of to 30% of Canadians. Tara will be working closely with LymeHope’s co-founders Jennifer Kravis and Sue Faber on their educational campaigns designed to raise awareness across Canada.

CMW In a 1,000 Words- Cupcake/Chippy Nonstop, Lydia Lunch, Aloe Blacc, Beams, Sunshine & The Blue Moon, Vaquero Negro, Maria Robot, Troker, Grown Up Avenger Stuff, Julian Taylor, Sc Mira, Harry Manx

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Submitted by Lenny Stoute & Sammy Jay Copeland
Photo at right: Lydia Lunch

CMW round our way was a fairly sedate affair, with the notable exceptions of the Cupcakke/Chippy Nonstop and Lydia Lunch shows. The former was a feast of raw, sex funky rap witticisms that had its share of squirm-making moments at the Mod Club. Billed as  Lydia Lunch Retrovirus, the show at Hard Luck Bar was a full-on career retrospective from 1977 to the present. Thing is, LL's output has veered from shrill No Wave to sludge rock to Goth psychedelia and beyond. All that was delivered in the mostly sludge rock style, robbing the material of its original intent. All of which didn't seem to matter to the newbies in the crowd. As she remarked to an overzealous fan near the end of a fairly shambolic show, "If this set makes sense to you, then you’re about as fucked up as I am.”

Doing the Shag at CMW

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Submitted by Lenny Stoute

K, now calm down. It's not a euphemism for the horizontal bop, as in the UK, but a new/old dance craze that's sweeping the American South. Although the idea of a mass shag-in did cross my mind. Let's think of it as a cross between swing and jitterbug, a prog-rock kind of mutation. Individual dancers bring their own thang to the floor, with the result shag is by now hybridized as all get out and very entertaining. Consequently, when the shaggers from North Myrtle Beach hit the floor at the Rivoli, it was like somebody dropped a cherry bomb. Sliding and gliding, there were rubberized ankles, way limber legs, intricate, close order jive moves, a dab of dirty dancing here and there, grace and kinetic beauty everywhere.

The term "Carolina Shag" is thought to have originated along the Atlantic Ocean strands between Myrtle Beach, South Carolina, and Wilmington, North Carolina, during the 1940s. According to Bo Bryan, a Carolina Shag historian and resident of Beaufort County, the term was coined at Carolina Beach, North Carolina. The Carolina Shag is a descendant of Carolina Jitterbug, and its predecessor, Little Apple which was the white version of the Big Apple (dance) (whose origins can be traced to Columbia, South Carolina in 1937) after whites sat (after "jumping the Jim Crow rope") in the balconies in the black clubs to watch the dancing.   

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