Submitted to Cashbox Canada Photo Credit Maximus Photography
Riding 'High' on the success of their latest single, Windsor rock group The Silence Factory will be packing up the van and hitting the road for a tour across Canada starting on April 1st with a show opening for Royal Ascot and The Sheepdogs. The tour will take the band from coast to coast in April and May and includes 2 showcase events at Canadian Music Week in Toronto on April 19th and 20th. See below for the full tour schedule.
The Silence Factory released their current single 'High' back in January and after 11 weeks on the Canadian active rock chart, they've achieved considerable success at rock radio reaching a peak chart position of #37 this past week. ‘High’ was produced by Juno Award winning and Grammy nominated producer Gavin Brown(3 Days Grace, Billy Talent). The band just finished recording another track with Brown which will be released in early May.
The Silence Factory formed in 2015 (as Nathan McNevin and The Silence Factory) and they've been playing shows across Canada ever since. The Silence Factory's debut CD, Collection of Thoughts, was released inFebruary 2016 launching their first commercial radio single 'Land'. In June 2016, the band took first place in 97.7 HTZ FM's Rocksearch competition which has launched the careers of many notable acts including Finger Eleven, The Trews, and The Glorious Sons.
Joseph Armand Roch Voisine, OC ONB better known as Roch Voisine, (born 26 March 1963) is aCanadian singer-songwriter, actor, and radio and television host who lives in Montreal, Quebec and Paris, France. He writes and performs material in both Englishand French. He won the Juno Award for Male Vocalist of the Year in 1994. In 1997 he was made an Officer of the Order of Canada.
There are a few artists that I personally look forward to hearing new stuff from. Manitoba’s Doc Walker are near the top of that list. So when I caught wind of Weathervane, the boys new 9 nine song set, I was eager to hear what they had come up with this time. And as I had hoped, they didn’t disappoint. It seems every time I review a Doc Walker album it’s “their best to date.” No surprise Weathervane just moved into the “best yet” ranking.
A little background on the band, Doc Walker is Chris Thornsteinson and Dave Wasyliw, who have known each since childhood and started their first band together at a very young age. “Chris and I started playing together at about 12 years old, just playing instrumentals on our guitars. We always had a friendly competition going on. We pushed each other and if Chris got a red guitar, I got a red guitar. Stuff like that. Neither one of us sang but when Chris started to sing, I started to sing. We still push each other,” said Dave Wasyliw. Chris agreed, “Dave and I have been making music together since we were kids and always did challenge each other. Even to this day when I write something I want it to be up to Dave’s standards of what he thinks I’m capable of. It’s great to have that kind of respect for each other.”
Snowblink released their album Returning Current last September in Canada and now the rest of the world will be able to hear what Exclaim! calls “a blissful ride, sounds as the world does when you’re underwater: soft and calm”.
The new virtual reality video for “Feel Like A Man” saw its screen debut in Marfa, TX at the Marfa Myths Festival where Snowblink performed. The video, directed by Sam Fleischner, was made during the US election week in Brooklyn with a crew of around 30 people -90% of whom were women. When the video was made “It was a week of hate crimes and fear, where women had to stomach a misogynist taking his seat as the president elect,” says Snowblink’s Daniela Gesundheit. “Many of the women on the set were heartbroken, afraid, angry. We came together with a common purpose and created a ritual – a surrealist futuristic virtual reality séance wherein twelve dancers undergo a deep transformation over the course of a dinner banquet. With the camera positioned at the center of the banquet table, the viewer stands surrounded by these women, often encountering intense or compassionate eye contact. The piece is intimate and gives the viewer a sense of being a part of something private and transformative.”
Stony Plain Records has announced a March 31 Canadian release date for the vinyl LP edition of Time to Roll, the fifth album by award-winning Canadian blues/rock trio, MonkeyJunk.
Time to Roll is unique in that it incorporates elements of all four oftheir previous recordings with added maturity insongwriting and instrumentation, cementing MonkeyJunk’soriginality and sound as its own. It is also progressivefor the band, as they’ve added electric bass on most of thesongs. No MonkeyJunk recording to date has included bass,but they felt that it would be a welcome addition toMonkeyJunk’s sound. In another precedent, the band alsorecorded one acoustic track for the first time on the newalbum.
Comprised of Steve Marriner on vocals, baritone guitar,bass, harmonica and organ; Tony D on lead guitar; and MattSobb on drums, MonkeyJunk is one of the hardest workingbands on the scene today, performing at venues andfestivals around the world for over eight years.Continually pushing boundaries and blurring genre lines,the Ottawa, Ontario-based trio has added an edge to theirmusic by incorporating swampy blues and rock withthoughtful and intelligent lyrics.
Welsh born pianist-singer-songwriter Judith Owen has been making great records since her debut album ‘Emotions On a Postcard’ in 1996 and has just released ‘Somebody’s Child’, arguably her best work to date. A 15 song collection, 13 tracks and 2 bonus tracks, the album features songs and pictures of a life well lived and experienced. With Judith’s distinctive voice and piano as the stars taking centre stage, the finely crafted tunes give us a glimpse inside the life of a well rounded and observant songwriter.
The title track and opening song is a gem in all its simplicity and honesty, an observation of the human condition in the 21st century. In Judith’s words “Somebody’s Child is about all the things I see, the things that really count in this noisy crazy world where we’re all running around. I’d seen this young homeless girl in Manhattan, middle of winter, a foot of snow, barefoot, naked really except for a couple of trash bags with a huge beautiful, pregnant belly. We were all crossing the street when suddenly I had this moment of clarity where I thought that’s somebody’s child and if my life had been different that could be me.”
‘No More Goodbyes’ is a song about dealing with the death of a loved one that no matter how hard it is there is the side of it that says “sadness and yet, no more regrets no more goodbyes”.
BTW Latent Lounge (performances from Cowboy Junkies, Skydiggers, Lee Harvey Osmond, Jerry Leger, Harpacash & The Morals and others), Bill Plaskett and Joel Plaskett, Wild Rivers, Ninjaspy, The Harpoonist & The Axe Murderer, Snoop Dogg/ BADBADNOTGOOD , Danny Marks.
Submitted by Lenny Stoute
In 1982, while living in the UK, Michael Timmins and Alan Anton, were inspired by the independent label scenethat sprung up around the English punk movement, and createdLatent Recordings. Latent subsequently released a 45rpm single of their first band Hunger Project and two albums by their second band Germinal. Upon returning to Toronto and formingCowboy Junkies, they used Latent to release the band’s first album Whites Off Earth Now!! and then, in 1987, thebands' ground breaking The Trinity Session.
Flogging Molly announces their 2017 North American Headlining Tour, which kicks off on May4th in Oakland, CA and brings the band’s adrenaline-fueled liveperformances to cities including Vancouver, Denver, New York City,Montreal, Toronto, Chicago and more. Tickets go on sale Friday, March 17 th at 10:00 am local time. The tour is insupport of Flogging Molly’s long awaited new album, LIFE IS GOOD,out on June 2ndvia Vanguard Records. Fans will be excited to know that every ticket order(in select markets) will include a digital download of the new album uponrelease. For additional ticket information, visit www.floggingmolly.com, and see complete list of tour dates below.
Produced by Grammy Award-winning Joe Chiccarelli (U2, White Stripes, Beck),and recorded in Dublin, Ireland, LIFE IS GOOD marks Flogging Molly’s firststudio album in six years since 2011’s highly acclaimed Speed of Darkness, which reached #9 onBillboard’s Top 200.FoundedbyDublin-born frontman, Dave King, and fiddle-player, BridgetRegan, Flogging Molly has long been hailed for their compelling lyrics ofexile, rebellion, history and struggle told through exuberant anthems witha fierce blend of raucous punk/rock and traditional Irish music.
Canadian country music legend and Hall of Famer times three Dick Damron is still pickin’ and kickin’ south of two borders in sunny Mazatlan, Mexico. He is a charter member of three Hall of Fames; The International Country Music Hall of Fame, the Rockabilly Hall of Fame and the Canadian Country Music Hall of Fame.
The pride of Bentley, Alberta, has been making Canada proud for seven decades and fondly remembers the early scuffling days in the 70’s. “I was touring Europe, Scotland, Germany and England, back in the day where musicians from my area thought a Far East Tour was going to Saskatchewan! We played a lot in Vegas is those days as well. Here I was a kid from Bentley playing in Vegas. What happens in Vegas stays in Vegas, what happens in Bentley….no really, what happens in Bentley??”
Dick recorded his first record in 1958 at radio station CKRD in Red Deer, Alberta. “Gonna Have a Party” and “Rockin’ Baby”, original songs written by Damron. He pressed a thousand copies and released it to radio. He released the record on his own label and hit the usual roadblocks. ‘We don’t play Canadian records.’ “This confused me,” Damron said, “I’m a Canadian, they are a Canadian radio station and we’re in Canada!” Some things don’t change much! After a couple more releases on his own he signed with Quality Records who manufactured and released records on a national level. The first recordings for Quality were also original songs “Julie” and “That’s What I Call Living.”
Self-described as “pilgrims of funk, soul ‘n’ roll,” the Julian Taylor Band makes music as eclectic and all-encompassing as its taste will allow. They move effortlessly between vintage soul, tasty funk, tender balladry, indie rock, and even the occasional foray into social comment, solo acoustic, reggae and psychedelia all done expertly. Leading the band, Taylor boasts a drop-dead killer voice, impressive guitar work and a knack for writing catchy, earworm choruses – all of which pegs him as an authentic, eclectic talent foranyone’s palate. Current opus is the stellar double album Desert Star, a self-described labour of love for Taylor and the band, clearly evident by the prolific flurry of songs that resulted from their hard work. Now they’ll be bringing the new music to fresh audiences on the upcoming 401 Tour.