The biggest problem right now for the music industry is that we have opened the doors to the big brown wave. Before we had some kind of gatekeepers in the music industry. It was definitely not good all the time, but better than today when there is nothing to stop people from giving out stuff.

The opportunity to give out something stops artists from really developing a song. When I became a scriptwriter for TV and Film the first thing, they told us was, writing is rewriting. Something I’m not good at, as you can see here in my columns. Sometimes I should just stop reading the text and rewrite it. Stop again and just rewrite. Yes, my columns would be better. Unfortunately, time wise and I need to do so many other things I really don’t have time for it, so you have to bear with me.

When it comes to a song though, it’s a different story. Here you are writing something that should be forever. There is no real deadline; the song is ready when it’s ready. You are also writing a song that should compete with millions of other songs. Not just a column that comes out once a week and then is forgotten. No here you must put your soul into it.

It’s not hard to make a show in your head and everything is there. I would even be the best performer in the world if you just let me have an unlimited budget and complete control. My show would have singing dinosaurs on a real life scale and more pyrotechnic than Kiss or Rammstein. I would just perform my own songs, but since I’m not that good of a singer we would require at least twenty-five people and guest stars that would help me perform by songs. Also, a good sound technician can handle Autotune in any circumstances. It will be a story during the whole show about my journey in the music industry and all the artists that I have met and worked with over the years.

Sounds good?

It would be a spectacle, I promise. The problem here is that, of course, if I would take this to a festival or any gig place for that sake, they probably would say no. You would need a gigantic stage and production around it. Even if I paid for all the production myself many would be skeptical to bring this show in. Of course, it will be good, even if I can’t sing or play all the things around it will be just worth seeing. The music is coming far behind the show.

Just in time for Halloween, Jackie K has released her latest single, “Nurse Jane,” a creepy alt-folk ballad inspired by a tuberculosis sanatorium in Saskatchewan and a troubled nurse who worked there.

Check out “Nurse Jane” on YouTube here:

“On the shores of Echo Lake as the Great War was done / She dressed in white and went to work in the sanatorium / Nurse Jane doled out tablets and help to those in need / She cleaned and fed, they coughed and bled / The valley of TB,” she sings.

“Saskatchewan opened three TB sanatoriums at the beginning of the twentieth century and one of them was located in the Qu’Appelle Valley at Fort San,” Jackie recounts. “It was a completely independent space, except for coal delivery, and an early model for what we now know as Medicare.” Built in 1917, it functioned as a TB clinic till 1971.

I wrote the same line around 2005. Internet was taking over, MTV was dead, and it seems like we were splitting up in our media consumption that there were no trends, just niche things. Back then my question was if Eminem and Britney Spears would be the last Superstars! It looks like it, nothing big really came out.

I was wrong but it took up to three years more, almost to 2009 before it really happened again. Then it was Lady Gaga and after that, we got several Superstars. I don’t know what made it possible. Did we actually start to look on the same channels just to make it possible? Did someone have the formula to get their things in several channels at the same time? I know for a fact that Lady Gaga put all PR in Europe for example, but at the same time was just a fluke.

I have attended many showcase festivals over the past half year. What strikes me is how organized most of them are, but how lost they are in some fields including people. I have been looking for a while now at how many of how them are accessible for handicapped and special needs and to be honest it’s sad to see the lack of support and awareness in this area.

Almost none of them have handicapped speakers, but worse is that they don’t have handicap-friendly venues or facilities. At the same, they almost compete to have small stickers to have on your badge if you are he, she, or them it’s totally ignored that there is around 26% of people that is handicapped or challenged, or if there are people that have special needs. Or that around 11% actually are in wheelchairs, something you very rarely see at festivals. In fact, in Sweden, a person in a wheelchair was thrown out from a festival because he wanted to get further ahead to see the show since people were standing in front of him.

Auction items include music trips, autographed items, original photography prints, vinyl packages, event tickets, and a 15-minute Zoom call with Cmdr. Chris Hadfield

For a complete list of auction items, please visit the website: theawesomemusicproject.com/auction

The Awesome Music Project, a Canadian charity dedicated to raising awareness and supporting research into music’s transformative impact on mental wellness and mental health, will be launching its first-ever Awesome Online Music Auction on World Mental Health Day, October 10, 2022.

“What better way to mark World Mental Health Day than with an auction to raise much-needed funds to help bring music-focused mental wellness programs to communities across Canada,” said AMP Executive Director Cori Ferguson. “We are blessed to have received an incredible line-up of donations from partners across the country, and I think we’ve got something that will appeal to casual and hardcore music fans alike.”

Featured auction items include:

Anyone who’s ever had a fake friend knows that, in contrast, loyalty in a friendship is an important quality that is worth its weight in gold!  JUNO-nominated Canadian pop group Girl Pow-R captures the unique agony of knowing a backstabber with their new single “Slam” – check it out on YouTube here:

The fifth single from Girl Pow-R’s sophomore album, “Slam” begins with funky flute and ominous beats, and then dissolves into a head-bopping groove as the group sets their boundaries with a “friend”:
You snuck around my back
And I will not take that
I thought that you were real
Yo, what’s the deal?

With 2+Billion digital streams across platforms and counting, Canada’s original, best-selling kids’ music group the MINI POP KIDS celebrate their Bright Lights Relit tour with a new video for “About That Time” – check it out on YouTube here:

A kid-friendly cover of Lizzo’s “About Damn Time,” the ’70s-inspired disco-funk earworm gets the video treatment with highlights from the tour thus far, depicting a montage of the kids’ high-energy performances and fun-filled interactions with fans.

After a temporary touring hiatus due to Covid-19 restrictions, the MINI POP KIDS finally returned stateside this summer, where they will be touring through the fall. They have also added several new dates in Canada.

Wintersong Music Festival has officially announced the headliners for their 4th edition, taking place January 20th - 21st, 2023 in Stouffville, ON. The annual festival draws thousands to the local area in the shoulder-season of Winter, giving a much-needed boost to the local economy.

Wintersong will be headlined by Montreal indie-pop band Stars; two-time JUNO award winning musician Dan Mangan; and 80’s new wave/synth-pop band Men Without Hats.

They will be joined by 2022 Polaris shortlisted OMBIIGIZI - a collaboration between Zoon’s Daniel Monkman and Status/Non Status’ Adam Sturgeon; and local indie-folk band Man Made Forest.

I have been attending a lot of meetings with industry people the past week. Since it’s a lot of people from the live industry the discussions have been about what has happened since COVID was left behind and everything opened up again.

This is mainly in Sweden so I can’t really say yet if it is an international trend. Of course, here we got an overproduction of events this summer. You had several events that were postponed during COVID that now had to take place at the same time as new events were coming around. I thought that we would see some events going really bad since it was so many and that people now with economic crisis would keep their money tighter.

In the end, though most events seem to have succeeded. The ones that got hit and didn’t go that well are located in bigger cities. Events in the countryside seem to go fine. But one big problem seems to be the same for everybody. People are buying tickets late.

Jeff Bova may not be a household name but his body of work and the list of the iconic artists he has produced and worked with is known in most households that have radios, televisions or computer, phones and all streaming services.

Bova is a Grammy Award-winning producer, arranger, and musician with hundreds of platinum and gold records to his name. He won his Grammy for Album of the Year as the producer on Celine Dion’s, “Falling Into You” and during a career spanning over 40 years, he toured as a member of Herbie Hancock’s Rockit Band and has contributed to hundreds of recordings by significant mainstream artists, including Katy Perry, Michael Jackson, Celine Dion, Luther Vandross, Tina Turner, Eric Clapton, Robert Palmer, Billy Joel, Bee Gees, Backstreet Boys, Cher, Meat Loaf, Cyndi Lauper, Iron Maiden and many more.

CMW recently celebrated its 40^th Anniversary so it’s a legendary music mainstay that has been there for many years. The festival has changed locations various times during those years as well. This year they went back to InterContinental Toronto Centre in downtown Toronto.

This was CMW’s post-COVID comeback to be held in person. Of course, during the pandemic, there were some digital things for CMW but being back in person was an important step. COVID  had so much impact on the festival since Canada has been one of the stricter countries with its COVID rules and the festival has been forced to switch dates a couple of times as well.  This year it was 6 to 11th of June, quite late compared to earlier editions.

You can say that Athens Music Week is the last showcase before the summer break. It’s the end of June and after it, nothing really comes up until the end of August. This year the whole south of Europe had extreme heatwaves so during Athens Music Week the temperature out in the sun reached 40 degrees Celsius (104 Fahrenheit). So, getting to the place where the panels are held is like a sanctuary with air-conditioning that is working hard trying to cool it down.