Cover Story

Ry Cooder The Return of the Prodigal Son

August 31st Ry Cooder.png

Submitted by Iain Patience

When one of the world’s most accomplished, admired and revered guitarists tells you that how he plays is: “………nothing special. It’s just music. All music’s the same, all that folk stuff. You just play what you know. You listen to the other guys and try to compliment them,” you know you’re dealing with a master of understatement. And with Ry Cooder, the humility continues in a similar vein as he looks back over half a century at the absolute peak of musical genius.

From his sideman work with the Rolling Stones – Cooder’s the stinging slide-picker on ‘Sister Morphine’ on the ‘Sticky Fingers’ album – in the 1960s to his remarkable emergence as a movie music score writer twenty years later, Cooder has always been a guy with a passion for music, performance and unexpected twists and turns. Always ready to play out his socio-political beliefs and hopes in musical form, Cooder never shuns controversy when he feels the time is right, or there’s a need to push back against convention or authority.

Take his work with the Buena Vista Social Club, for example, an album and a band that he championed at a considerable personal expense in the late 1980s when the USA operated an absolute embargo on all things Cuban. Cooder, in typically resourceful, committed mode, hooked up with a bunch of aging Cuban musicians and brought their sheer, shining brilliance to the global stage, picking up a Grammy in the process and a personal $25,000 fine for breaching the trade embargo back home Stateside.

Live at Heart Ready to Showcase over 200 Acts in Sweden

August 24th.png

Submitted to Cashbox Canada

It all began in 2010 when Live at Heart’s founders Anders Damberg and Johannes Nilsson wanted to create a space for local, unsigned bands to play for larger audiences. In its first year, Live at Heart featured 102 different acts and hosted gigs on 10 different venues around Örebro.

Over the years, Live at Heart has evolved into a creative industry conference and showcase festival – attended by hundreds of artists, filmmakers and creative professionals from all over the world. The event has grown into one of the biggest of its kind in all of Scandinavia and is considered one of the best festivals in the world.

Live at Heart is a showcase festival, meaning that we are showcasing the stars of tomorrow and giving promising creative talents the opportunity to get discovered and boost their careers. More than 200 music acts and independent film screenings in the heart of Örebro.

Peter AstedtPeter AstedtThe talent is not just from Sweden, the artists are from all over the world, including Canada, a lineup that Peter Astedt has garnered from his many trips to CMW, MIDEM and SXSW over the years.

Carlos Santana Up Close and Personal

August 17th Carlos Santana.png

Submitted by Iain Patience

Carlos Santana is, without doubt, one of the finest guitarists modern music has to offer. From his explosive appearance on the Woodstock stage fifty years ago, in 1969, through his work with Miles Davis, Wayne Shorter and the legendary blues duo of Mike Bloomfield and Al Kooper, Santana has remained a unique, instantly recognizable figure in both the blues and world music camps.

Now, with a new band behind him and an ambition and optimism that he believes is leading him back to his ‘blues roots,’ he is about to hit the road with a promise of Santana at his very best, a bluesman with a purpose and a genuine desire to take the music world by the scruff of its neck and deliver a promise that he believes will push him straight back into the spotlight where many would agree he clearly belongs.

Elvis Presley The Boy Who Would Be King

August 10th Elvis Cover.png

January 6, 1935 - August 16, 1977
Submitted by Don Graham

On August 16, 1977, 41 years ago, we lost one of the most significant artists on human beings the world has ever known.  Elvis Presley. Although the anniversary of his death is not as universally recognized as years past his impact on the world has not diminished. In 2010 we wrote the story “The Boy Who Would Be King” and thought it appropriate to rerun it for your reading enjoyment. Elvis didn’t like being called the King and at one show where they held up a sign saying Elvis Is King. He asked them to take it down saying there is only one King and pointed heavenward. Hope you enjoy the read.

On January 8th, 1935, in Tupelo, Mississippi, was born to Gladys and Vernon Presley, a baby boy. He would be named Elvis Aaron Presley, and one day would be known simply as…..The King.

Denis Element I’m Where a Memory (Can Die For a Night)

August 3rd (3).png

Submitted by Don Graham

Cover Photo Credit Ash Photography Services

The recipe for this country music feel-good story includes; Nashville legend, Vern Gosdin aka The Voice, Beverly Gosdin, Vern’s widow, Dana Hudson, singer/songwriter and Denis Element, Canadian country singer/songwriter.

Together this combination of people all came together to create this great story. “This is what I’ve wanted to do all my life. I grew up with my Dad listening to George Jones, Hank Sr. and Merle. And of course, Vern Gosdin. It was three years ago that my wife, Pauline, began posting my videos on social media. Not long after I began to build a fan base that loved traditional country music and the loved my vocals. I posted a song by Vern Gosdin and shortly after Beverly Gosdin (Vern's widow), who is in Nashville, started messaging me." In the words of Beverly Gosdin,"I had connected with Canadian singer/songwriter Denis Element out of Hamilton, Ontario. I had seen Denis doing a version of Vern's song, I'm Where a Memory (Can Die for a Night). I invited Denis to record his version in Nashville, Tennessee. Dana Hudson sang so much that he invited him to also record "Check My Memory" (a song written years before by Hudson). Denis cut it with some of Nashville's greats on the session, including Scotty Sanders, Buddy Hyatt from Toto and the man himself, Brent Mason. This will be the follow-up single after "I'm Where a Memory (Can Die for a Night). I'm excited to see where this goes from here."

Rory Block A Woman’s Soul: A Tribute to Bessie Smith

July 28th.png

Cover Photo Credit: Sergio Kurhajec
Submitted by Sandy Graham

As a young teenager Rory Block — her full name is Aurora — grew up in New York’s Greenwich Village at the height of the “folk revival.” At 14, already an accomplished guitarist, she discovered the Delta blues — then part of the wide world of folk music. She vividly remembers hearing Mississippi John Hurt in 1963, and spending time with Son House, Fred McDowell and the Reverend Gary Davis.

Her first recordings (under the pseudonym Sunshine Kate) were made for Elektra Records, but she didn’t return to the studio until 1975 when she recorded for RCA Victor and Chrysalis before signing to Rounder Records, for whom she cut more than a dozen albums. She has also recorded for a number of other labels, in between endless tour schedules.

Along the way, she has won five W.C. Handy Awards (now known simply as Blues Awards) from the Blues Foundation, two for “Traditional Blues Female Artist,” and three for “Acoustic Blues Album of the Year.” She’s earned a gold record in Holland, and toured from one end of the United States to the other end of Canada, not to mention Poland and Norway and Italy and a half a dozen more European countries.

The Beaches Jazz Festival Celebrates 30 Years!

July 21st.png

Submitted by Cashbox Canada

The Beaches International Jazz Festival is a 10-day music festival held each year in the lakeside Beaches community of Toronto in the month of July. Originally started in 1988, it is now one of Canada's largest free music festivals with nearly 800,000 attendees, throughout its 10-day span. The Festival takes place across a number of venues; stage concerts are held in several different parks within the area and also along a two-kilometre stretch of the Beach main street - Queen Street East.

Every year, the Festival brings in internationally acclaimed performers while also showcasing local talent, including “new generation” jazz musicians. The Festival now hires around 1000 artists per annum, including 50 bands for its “StreetFest” event along Queen Street East.

Now celebrating the 30th year of this amazing event, there is something for everyone visit www.beachesjazz.com to see the full schedule of events.

One of the most popular highlights of this event is the Streetfest, an incredible Mardi Gras feel where live music is booked on alternate sides of the street and the talent has become so eclectic it isn’t just limited to jazz anymore. It is truly a music festival and there is something for everyone.

Ori Dagan The Music Plays On

July 14th Ori Dagan.png

Submitted by Sandy Graham
Photo Credits: Elijah Shark

Ori Dagan has much to be proud of in his ever-changing musical journey in this crazy business we call music.“A Tribute to Nat King Cole” (Dagan's 3rd recording and the first visual album in jazz history) recently debuted at #1 on the iTunes Canada Jazz Chart, and its corresponding 12 music videos have screened at over 35 Music and Film Festivals worldwide, garnering over 300,000 views on YouTube, Winner of the Best Album, Silver Medal – Global Music Award, Nominated for Best Jazz Vocals- Toronto Independent Music Awards along with a list a mile long of reviews.

Dagan also teaches what he preaches by giving scat lessons and workshops to learn the “Shoe-bee-do’s” and “Shoe-bee-don’ts,” to anyone who wants to learn either professionally or just for the love of the musical era and greats who paved the way for so many in the jazz world.

Tribe Royal The Road to Muscle Shoals

July 7th Cover Tribe Royal.png

Submitted by Don Graham

In November of 2017, I had the good fortune to record in Muscle Shoals, Alabama with the uber-talented and esteemed producer Norbert Putnam. Norbert gained his accolades for his productions, Jimmy Buffett, Dan Fogleberg and Joan Baez to name a few as well as voluminous sessions as a bass player and owning and operating one of the first independent recording studios in Nashville, Tennessee, Quadrefonic Sound Studio. We recorded at The Nutthouse Recording Studio and the experience was amazing.

When I returned to Canada, Sandy Graham of Entertainment Music Group introduced me to a new band who were about to sign on as my label and stablemates, Tribe Royal from Ottawa, Ontario. A young band with vintage sounds and a whole lot of originality. They have a great vocal, create awesome harmonies and creative parts with background vocals as well as a high energy stage show. Sandy had sent Norbert their debut CD and Norbert agreed to produce a couple of sides for this new, refreshing talent.

David Clayton-Thomas Mobius

June 21st (1).png

Submitted by Sandy Graham

David Clayton-Thomas and Blood Sweat & Tears – two names that will always be in a musical marriage. A group that were trailblazers in the sixties, with their combination of rock and jazz arrangements that went on to sell almost six million records in three years. The first album has sold over 10 million records worldwide.

But there is so much more to the name, the man and the music of David Clayton-Thomas.

The passion about his singing and his own journey are still a major part of his personality, and he talks about how and where he came from and where he is right now in his career.

The son of a Canadian soldier and an English music student who became a War Bride, Clayton-Thomas was born in England and moved with his family to the Toronto suburb of Willowdale when he was four years old. A troubled relationship with his abusive father led him to run away at age 15. He spent his teen years living on the street and in various reformatories, eventually doing time as a serial offender for vagrancy, petty theft and street fighting.

Syndicate content