Cover Story

Ori Dagan The Music Plays On

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Submitted by Sandy Graham
Photo Credits: Elijah Shark

Ori Dagan has much to be proud of in his ever-changing musical journey in this crazy business we call music.“A Tribute to Nat King Cole” (Dagan's 3rd recording and the first visual album in jazz history) recently debuted at #1 on the iTunes Canada Jazz Chart, and its corresponding 12 music videos have screened at over 35 Music and Film Festivals worldwide, garnering over 300,000 views on YouTube, Winner of the Best Album, Silver Medal – Global Music Award, Nominated for Best Jazz Vocals- Toronto Independent Music Awards along with a list a mile long of reviews.

Dagan also teaches what he preaches by giving scat lessons and workshops to learn the “Shoe-bee-do’s” and “Shoe-bee-don’ts,” to anyone who wants to learn either professionally or just for the love of the musical era and greats who paved the way for so many in the jazz world.

Tribe Royal The Road to Muscle Shoals

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Submitted by Don Graham

In November of 2017, I had the good fortune to record in Muscle Shoals, Alabama with the uber-talented and esteemed producer Norbert Putnam. Norbert gained his accolades for his productions, Jimmy Buffett, Dan Fogleberg and Joan Baez to name a few as well as voluminous sessions as a bass player and owning and operating one of the first independent recording studios in Nashville, Tennessee, Quadrefonic Sound Studio. We recorded at The Nutthouse Recording Studio and the experience was amazing.

When I returned to Canada, Sandy Graham of Entertainment Music Group introduced me to a new band who were about to sign on as my label and stablemates, Tribe Royal from Ottawa, Ontario. A young band with vintage sounds and a whole lot of originality. They have a great vocal, create awesome harmonies and creative parts with background vocals as well as a high energy stage show. Sandy had sent Norbert their debut CD and Norbert agreed to produce a couple of sides for this new, refreshing talent.

David Clayton-Thomas Mobius

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Submitted by Sandy Graham

David Clayton-Thomas and Blood Sweat & Tears – two names that will always be in a musical marriage. A group that were trailblazers in the sixties, with their combination of rock and jazz arrangements that went on to sell almost six million records in three years. The first album has sold over 10 million records worldwide.

But there is so much more to the name, the man and the music of David Clayton-Thomas.

The passion about his singing and his own journey are still a major part of his personality, and he talks about how and where he came from and where he is right now in his career.

The son of a Canadian soldier and an English music student who became a War Bride, Clayton-Thomas was born in England and moved with his family to the Toronto suburb of Willowdale when he was four years old. A troubled relationship with his abusive father led him to run away at age 15. He spent his teen years living on the street and in various reformatories, eventually doing time as a serial offender for vagrancy, petty theft and street fighting.

Glass Tiger ‘31’

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Submitted by Cashbox Canada

It all began in the summer of 1984 when a band from Newmarket, Ontario called Tokyo spent two evenings opening for Boy George and Culture Club at Toronto’s Maple Leaf Gardens. Their dynamic, original sound captured the moment of the mid 80’s and they soon became a major force in suburban high schools and the Ontario club circuit. When a record deal was finally signed with Capitol Records, Tokyo officially became Glass Tiger.

With Jim Vallance (Bryan Adams; Aerosmith; Ozzy Osbourne) behind the boards, Glass Tiger was immediately introduced to the recording studio to work on their first album. ‘The Thin Red Line’ set a record for being the fastest selling debut recording in Canadian history, going gold within weeks of its release. As well as a Grammy nod for ‘Best New Artist’ in 1986. To date, this album has received four Platinum records in Canada and went Gold in the United States. One of Glass Tiger’s many hit singles “Don’t Forget Me (When I’m Gone)” yielded a #2 spot on Billboard, followed by “Someday” reaching #5. Both songs made Canadian history with Glass Tiger winning successive Juno’s a year apart for Single of the Year, from the same album.

Audra Santa The Power And The Pain

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Submitted by Lenny Stoute

From Thunder Bay to Melbourne, Toronto to Cannes, Audra Santa's a happening thing. Started happening in Australia, where she spent ten happy years exploring the Aussie badlands and goodlands, playing in various musical projects, including progressive rock band, The Wandering, and Indie-folk duo, Amon and Audra. Her powerful, expressive vocals and talent for instaconnections with people were simply too evident for Audra not to go solo. Recording commenced at Sing Sing Studios in Melbourne over Easter 2016 with high enthusiasm on all sides. For Audra though, it was a being put in a blender kind of thing, high on getting her songs down, low down inside with the certain knowledge that the marriage she had cherished with all her being, had put aside her music for at one point, was going off the cliff.

David Vaters A Voice in the Wilderness

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Submitted by Don Graham

David Vaters is making the music he was meant to make and the world is taking notice. And with the state of affairs on the planet these days the world needs David Vaters’ uplifting and inspirational songs to bring a positive balance to life. There have been some detours on the road to David’s destiny but patience and laser focus helped get him to this point in his life and career.

“I started writing songs at age 15 and at 16 I was offered a record contract, an 8 single deal, but it would have involved leaving school and that wasn’t going to happen. So I put it on hold for a while.” But David’s passion and talent as a singer/songwriter was not to be denied. He spent many years honing and fine-tuning his songwriting skills and working with great musicians in North America and the U.K. and began work on ‘A Voice in the Wilderness Volume 1.’ “I was fortunate to start a business with my brother making merchandise and branding T-shirts and the like. We were responsible for Brooks Running shoes among other things. I ended up moving back to Canada from Tennessee to a home in the wilderness which was strange because I had titled my work ‘A Voice In The Wilderness’ before I knew I’d be living there.”

The Ultimate Dance Party with Michael Williams at the Duke Live

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Submitted by Sandy Graham

Michael Williams is a Canadian television personality who may be best known for his work as a VJ at MuchMusic from 1984 to 1993. Born in Cleveland, Ohio, Williams moved to Montreal in the 1970s to attend the Communications Arts School at Loyola (now Concordia University). While attending the school, he started a DJ service in the receptive musical city of Montreal and started
Williams was part of MuchMusic's core opening team of VJ's alongside J. D. Roberts, Erica Ehm, and Christopher Ward. Williams hosted various shows including Soul in the City, RapCity, Electric Circus, Pepsi Power Hour and The NewMusic. To this day people stop Michael in the street and ask for his autograph, or tell him what an influence he had on them during this Much days. Some thank him for being an inspiration to them.

CMW Canadian Radio Music Awards 2018

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Submitted to Cashbox Canada

CMW’s annual gift to the future, the Canadian Radio Music Awards are considered a barometer of buzz in Canadian music. The hottest, newest names on the radio scene sing in front of the industry’s opinion-makers, and stake their claim to a place on the nation’s playlists. If you saw them at CMW, you’ll soon be hearing them everywhere!

Canadian Music Week (CMW) is pleased to announce the winners of the 21st Annual Canadian Radio Music Awards (CRMA), which tookplace on Wednesday, May 9, 2018 at the Sheraton Centre Toronto Hotel.

Hosted by K Trevor Wilson, the CRMA ceremony included performances by The Reklaws,New City, Romes, Felix Cartal, and River Town Saints.

Complete List of 2018 Canadian Radio Music Awards Winners:

BEST NEW GROUP OR SOLO ARTIST: AC
DVBBS - Not Going Home

BEST NEW GROUP OR SOLO ARTIST: CHR
Jessie Reyez - Figures

BEST NEW GROUP OR SOLO ARTIST: DANCE/URBAN/RHYTHMIC
New City - Dirty Secrets

BEST NEW GROUP OR SOLO ARTIST: ROCK
The Beaches - Money

Leona's Sister Is All Grown Up

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 Submitted By Lenny Stoute

Music is this organic thing which doesn't necessarily need permission or even encouragement to evolve. Check the opus of artists like Eric Satie, John Coltrane, Miles Davis or Brian Eno and you can almost hear passages evolving as they go, eventually tumbling into the mainstream, therein to exert another set of evolutionary influences. Nor is it confined to elite artists. It can happen to any music and any music makers.

In the case of Toronto's Leona's Sister, the initial evolution was from a bluesy, Seventies hard rock style, more riff-oriented to a more inclusive retro rock sound. It was originally formed as a recording project created in 1998 by vocalist/songwriter JT and bassist Barry (Bazman) Twohig, the intent being to get JT's original lyrics put to music and recorded. With a few friends, she went into Studio92 and recorded the first CD, Almost Alive. In 1999, the project developed into a more regular pattern and the band Leona's Sister was started. More songs, new players, another visit to Studio92 and the second CD, Out Of The Basement, was born. Things were looking up and the revolving door of players had stopped to let off a reliable core. Then early in the spring of 1999, JT was struck by falling ice and hospitalized. This brought the band side of the project to a screeching halt but she continued to write songs.

CMW & The Guild of Music Supervisors, Canada Present The 1st Annual Canadian Sync Awards

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Submitted by Cashbox Canada

Canadian Music Week began in 1981 and has grown to become one of Canada’s largest and most influential media and music conferences. It draws top industry professionals to participate in a four-day program of activities.

Designed to stimulate the exchange of market intelligence, increase dialogue and provide networking opportunities, Canadian Music Week continues to present the ideal platform for more than 3,000 national and international delegates.

2018 will mark CMW's 36th year, and is the single longest running multi-day Canadian music and media event. It manages to consistently bring together more than 3,000 music industry professionals for the week's events - combining conferences, award shows, & one of Canada’s biggest "New Music" festivals.

Always adding something new to the vast programme this year The Guild of Music Supervisors Canada Present The 1st Annual Canadian Sync Awards

Canadian Sync Awards 2018 Nominees

Best Sync - Promo
David Hayman: 'Ennio' by HUMANS, "Entanglement"
David Hayman: 'Walk Alone' by Time Copz, "Letterkenny" (Season 3)
Velma Barkwell: 'I'm On My Way' by The Proclaimers, "Mr. D, Season 7 Premiere"

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