BTW – Tragedy Ann, Jesse Munro, The Lytics, Robert Connely Farr & the Rebeltone Boys, Skerryvore, John Young/Astrid Young, Blackburn Band

Fri Sep 28 2018
Tragedy Ann The Last Thing

Here’s an act with that cozy fall sound just right for the season. Guelph-based award-winning duo Tragedy Ann, (Braden Phelan and Liv Cazzola), release a new video on August 17th, for their first single “The Last Thing,” from their upcoming debut full-length album Matches. The beloved alt/folk duo will support the new album with a tour in Canada (ON, QC, BC, NS, NB), and with stops in Toronto (release concert at Burdock Oct 13), Hamilton, London, Oakville, Montreal, Vancouver and others.

The video for “The Last Thing,” (audio and video by Sam Boer), is a simple but totally effective idea: Two people, two voices, two instruments, and one continuous shot to capture their heartfelt performance of an excellent song they wrote about the push and pull of a romantic relationship that may or may not be imminently ending. These days, that’s practically revolutionary.

BTW Honyock, Dead Soft, Hosannas, June West, Carmen Toth, Tragedy Ann

Fri Aug 03 2018
Honyock

Listening to Honyock feels like walking through a post-war home that hasn’t been redecorated since 1975. Here, smoke-stained curtains obscure a hazy sun and a floral couch faces a stern stone fireplace. And, here, a dusty electric organ rests against a wood-paneled wall where, in any other house, a flat screen might sit. But while sitting at the Formica table beside a rattling, honey-colored Frigidaire, this home feels familiar, comfortable. This transportive power of Honyock’s music, though, is no serendipitous accident. Indeed, their first full-length El Castillo, produced by David Vandervelde (Father John Misty, Jay Bennett), seems like the outcome of some cosmic strategy—of fate, or something similar.

Like the best bands that take cues from the past—Wilco and Dr. Dog, Whitney and Kevin Morby, The Sacramento four piece combines the aesthetic of this era with songwriting that’s as distinctive as it is memorable. “Patron” features a dusty, retro aesthetic—a sun-faded roadside hotel, a cactus’s long shadow. It’s hard not to hear Elvis Costello or Roy Orbison in this opening track.