Live at Heart Ready to Showcase over 200 Acts in Sweden

Fri Aug 24, 2018
Peter Astedt
Peter Astedt

It all began in 2010 when Live at Heart’s founders Anders Damberg and Johannes Nilsson wanted to create a space for local, unsigned bands to play for larger audiences. In its first year, Live at Heart featured 102 different acts and hosted gigs on 10 different venues around Örebro.

Over the years, Live at Heart has evolved into a creative industry conference and showcase festival – attended by hundreds of artists, filmmakers and creative professionals from all over the world. The event has grown into one of the biggest of its kind in all of Scandinavia and is considered one of the best festivals in the world.

Live at Heart is a showcase festival, meaning that we are showcasing the stars of tomorrow and giving promising creative talents the opportunity to get discovered and boost their careers. More than 200 music acts and independent film screenings in the heart of Örebro.

Live at Heart Ready to Showcase over 200 Acts in Sweden

Fri Aug 24, 2018

It all began in 2010 when Live at Heart’s founders Anders Damberg and Johannes Nilsson wanted to create a space for local, unsigned bands to play for larger audiences. In its first year, Live at Heart featured 102 different acts and hosted gigs on 10 different venues around Örebro.

Over the years, Live at Heart has evolved into a creative industry conference and showcase festival – attended by hundreds of artists, filmmakers and creative professionals from all over the world. The event has grown into one of the biggest of its kind in all of Scandinavia and is considered one of the best festivals in the world.

Live at Heart is a showcase festival, meaning that we are showcasing the stars of tomorrow and giving promising creative talents the opportunity to get discovered and boost their careers. More than 200 music acts and independent film screenings in the heart of Örebro.

Carlos Santana Up Close and Personal

Fri Aug 17, 2018

Carlos Santana is, without doubt, one of the finest guitarists modern music has to offer. From his explosive appearance on the Woodstock stage fifty years ago, in 1969, through his work with Miles Davis, Wayne Shorter and the legendary blues duo of Mike Bloomfield and Al Kooper, Santana has remained a unique, instantly recognizable figure in both the blues and world music camps.

Now, with a new band behind him and an ambition and optimism that he believes is leading him back to his ‘blues roots,’ he is about to hit the road with a promise of Santana at his very best, a bluesman with a purpose and a genuine desire to take the music world by the scruff of its neck and deliver a promise that he believes will push him straight back into the spotlight where many would agree he clearly belongs.

BTW Colour Film, Basement Revolver, Jim Kweskin, Vince Gill, Leo Vance, Annie Bonsignore, Dilly Dally, The Flatliners

Fri Aug 17
Colour Film

Some say this is pop music for your mind’s eye. With songs that play like home movies rich in imagery and characters, Colour Film is the stage name of Hamilton, ON's multitalented Matthew de Zoete. The moniker embodies his idea of songs as little films, where a combination of characters, stories, and emotions create a visual element in the listener's mind. His latest release Super 8 blends pop and folk to set six of these cinematic songs in an atmospheric soundscape conjured with producer Les Cooper (Jill Barber, Good Lovelies). Imagine Nick Drake cheering up a bit and meeting Beck.

Since 2006, de Zoete (pronounced "duh-ZOO-tuh") has released three previous albums under his own name and toured throughout North America and Europe. He has shared the stage with acts such as Serena Ryder, Great Lake Swimmers, and Whitehorse, and he's performed at festivals including North by Northeast, Canadian Music Week, JUNOfest, and Stukafest (Netherlands).

James Leblanc and The Winchesters Still Needing Your Pledge for The Devil Between My Ears

Fri Aug 17
James Leblanc and The Winchesters

James Leblanc and The Winchesters are trying hard to reach their goal on Pledge Music but still need your help. James and The Winchesters are based in the Muscle Shoals area and are hard at work at The Nutthouse Recording Studio recording their album ‘The Devil Between My Ears’. Bandleader James Leblanc, “Thanks for this opportunity to keep getting the word out. The first thing I want y’all to know is I ’m grateful to be able to make records. We have a blast doing it and it’s so much fun. I am pumped for this album, it’s going to a little different from my solo CDs, a little more of a band feel and is gonna be a little more aggressive. We will be exploring some southern rock aspects of ourselves, a little more edge to it musically. Plus my lady, the super talented is gonna be steppin’ out and singin’ some leads, so I’m pumped. And I am happy to tell you that the new album is coming along. We still need your help with pre-orders through our PledgeMusic campaign.”

Elvis Presley The Boy Who Would Be King

Fri Aug 10, 2018
August 13, 2010, Cover Elvis
August 13, 2010, Cover Elvis

January 6, 1935 - August 16, 1977

On August 16, 1977, 41 years ago, we lost one of the most significant artists on human beings the world has ever known.  Elvis Presley. Although the anniversary of his death is not as universally recognized as years past his impact on the world has not diminished. In 2010 we wrote the story “The Boy Who Would Be King” and thought it appropriate to rerun it for your reading enjoyment. Elvis didn’t like being called the King and at one show where they held up a sign saying Elvis Is King. He asked them to take it down saying there is only one King and pointed heavenward. Hope you enjoy the read.

On January 8th, 1935, in Tupelo, Mississippi, was born to Gladys and Vernon Presley, a baby boy. He would be named Elvis Aaron Presley, and one day would be known simply as…..The King.

When Did Casey Kasem Finally Sign Off of the American Top 40?

Fri Aug 10
When Did Casey Kasem Finally Sign Off of the American Top 40?

On August 6, 1988, thirty years ago Monday, August 6, 1988, thousands of "American Top 40" fans tuned in to hear Casey Kasem do what was believed to be his very last AT40 show. Shadoe Stevens would replace him at the mike the following week. Fans particularly wanted to hear how Casey would end the show, fully expecting him to say goodbye.

Only he didn't. After promoting his TV show, Casey said, "Til then, keep your feet on the ground and keep reaching for the stars."

No farewell from Casey...but that was because it really WASN'T "farewell" for him. He would be back. The ABC network would actually PAY Casey to NOT count 'em down for the rest of 1988 and the first two weekends of 1989. But that's when Casey's contract with ABC expired. On the weekend of January 21, 1989, Casey sounded like he'd never been away when he debuted with "Casey's Top 40" on the Westwood One radio network. He was just starting a then-unheard-of radio contract for a disc jockey....five years, $15 million.

Norbert Putnam Walking In Memphis

Fri Aug 10
Norbert Putnam Walking In Memphis

Musician, Producer, Arranger, Publisher, Studio Owner, best-selling Author; Norbert Putnam has had a lot of awards and accolades thrust upon him in his long illustrious career and is about to have another to add to his collection. On August 13th, 2018, three days after his birthday and three days prior to the anniversary of the death of one of Norbert’s favorite artists to have played on sessions with his true, close friend, Elvis Presley, he will be honored in Memphis Tennessee with a Brass Note on Beale Street. Known as the Beale Street Brass Note Walk of Fame it was started to offer a tangible embodiment of the many talented people who had put Memphis music and Beale Street on the world map and includes musicians, composers, disc jockeys, promoters and music supporters with celebrating them on the concrete sidewalks along Beale Street.

David Byrne: American Utopia Sony Centre For The Performing Arts Toronto ON

Fri Aug 10
David Byrne: American Utopia Sony Centre For The Performing Arts Toronto ON

Just about the time, David Byrne was stagger dancing around a grey stage to "Blind", bulldozers were leveling the Beijing studio of dissident artist Ai Wei Wei, as arts programs across North America were getting the shiv in the ribs and Riot Pussy are again doing time. Once again, subversive art is under attack everywhere. So layered with the joyous and uplifting, especially as in bodies out of seats. David was a laying out a to-do list for the resistance. Ah, but we were there for the music and that never flagged nor disappointed. The set covered material from Talking Heads, Byrne solo albums from all periods, some collabs, a Love The Giant and some from the newbie, most given redos to fit a fun and funky vibe.

BTW Honyock, Dead Soft, Hosannas, June West, Carmen Toth, Tragedy Ann

Fri Aug 03
Honyock

Listening to Honyock feels like walking through a post-war home that hasn’t been redecorated since 1975. Here, smoke-stained curtains obscure a hazy sun and a floral couch faces a stern stone fireplace. And, here, a dusty electric organ rests against a wood-paneled wall where, in any other house, a flat screen might sit. But while sitting at the Formica table beside a rattling, honey-colored Frigidaire, this home feels familiar, comfortable. This transportive power of Honyock’s music, though, is no serendipitous accident. Indeed, their first full-length El Castillo, produced by David Vandervelde (Father John Misty, Jay Bennett), seems like the outcome of some cosmic strategy—of fate, or something similar.

Like the best bands that take cues from the past—Wilco and Dr. Dog, Whitney and Kevin Morby, The Sacramento four piece combines the aesthetic of this era with songwriting that’s as distinctive as it is memorable. “Patron” features a dusty, retro aesthetic—a sun-faded roadside hotel, a cactus’s long shadow. It’s hard not to hear Elvis Costello or Roy Orbison in this opening track.

David Vaters Asks Us to ‘Forgive’

Fri Aug 03
David Vaters Asks Us to ‘Forgive’

In these current times, with all the political tensions, climate issues, racism and unrest, the message from this Canadian-born artist couldn’t be more timely.

Forgive.

David Vaters has released a moving video with the song ‘Forgive’. The video is a heart-rendering addition to a well-written, moving song, taken from the album entitled “Volume 2 – A Voice in the Wilderness, and to date has over 10 million streams and views on digital music platforms.

Forgive. A very small word but such a huge undertaking for many of us to do.  But yet, many of us would hope for people to forgive us for things we might have done, maybe not intentionally and sometimes done by just being careless about others.

With Vaters’ ‘pay it forward’ take in the video, a simple gesture of a crumpled piece of paper handed to strangers really hits home to the viewer. Take that and combine it with a great song and you have a hit with a great message.

To date ‘Forgive’ has had over 1.2 million streams on Soundcloud and over 130,000 views on YouTube prior to its official release. And we are pretty sure those numbers have risen since this story was published.

Elvis Costello & The Imposters’ New Album Released October 12

Fri Aug 03
is Costello & The Imposters

Elvis Costello and The Imposters – Steve Nieve (keyboards), Davey Faragher (bass), Pete Thomas (drums) – have made a sensational new album that ranks alongside the best work this singularly great artist has ever produced.

 

Recorded in Hollywood, New York City and Vancouver, British Columbia, Look Now is beautiful in its simplicity, reflective in its lyrical vision, surrounded by melodies and orchestrations that are nothing short of heavenly. It’s the first album Costello has made with The Imposters since the 2008 release of Momofuku and his first new album since the acclaimed 2013 Roots collaboration, Wise Up Ghost.

 

Anyone anywhere in the world who has seen Elvis Costello and The Imposters live can testify to their unmitigated swagger. Costello’s suspicion that it was time to return to the studio was confirmed while on the Imperial Bedroom & Other Chambers tour of the USA, last summer and he realized the power and sheer musicality of The Imposters had never really been fully captured on one record.

BTW Lightning Echoes, Sammy Duke, Miss Emily, The Harpoonist & The Axe Murderer

Fri Jul 27
Lightning Echoes

Alternative pop duo Lightning Echoes is taking listeners on a spherical journey of sound with their newest release, “In Circles”, available now from the usual suspects.

The Vancouver-based pairing is equal parts singer/songwriter Kaitlin Deavy and producer Alejandro Zarazúa. Having teamed up in February 2018 amidst their respective studies on music and production, the multi-instrumentalists were driven by their shared vision of music and human connection. On “In Circles” you’ll hear seemingly simple melodies swirling among complex layers of indie, folk, and what the two call “smart pop” elements.

Classic Rock Greats, The Guess Who, Return With ‘The Future Is What It Used To Be’

Fri Jul 27
The Guess Who

The Guess Who are responsible for countless rock classics, which still retain a major presence on rock radio - “American Woman,” “No Time,” “These Eyes,” etc. The band is set to return on September 14th with their latest album, ‘The Future IS What It Used To Be’, released via Cleopatra Records (available in CD, Vinyl, and Digital formats).

 

The band is Garry Peterson (Drums, Vocals), D# (Lead Vocals, Guitar, Piano), Will E. (Guitar, Harp, Vocals), Leonard Shaw (Keyboards, Flute, Sax, Vocals), and Rudy Sarzo (Bass, Vocals). The album’s first single,‘Playin’ on the Radio’, will be released on July 17th. It can be heard on Spotify, Apple Music and other streaming services. Also featured on the album are several special guests including, Tommy Shaw (Styx) on vocals, Brent Fitz (Slash, Gene Simmons) percussion, Jim Kale (Guess Who founding member) and Michael Devin (Whitesnake) on bass guitar.

Sylvia Tyson & Scarlet Rivera at Hugh’s Room Live

Fri Jul 27
Sylvia Tyson Photo Credit Christopher Lawson

They’re back! Sylvia Tyson and Scarlet Rivera will once again light up Hugh’s Room stage on August 7th.  They last appeared there together in 2016 where they put on a show for the ages and there’s no reason to believe that this upcoming night won’t be just as epic Canada’s living legend and a huge part of the fabric of Canadiana and our roots, Sylvia Tyson is a joy to watch and I’m pretty sure  she will  perform some staples from the Ian and Sylvia days including “Someday Soon” and “Four Strong Winds” And her big hit as a songwriter that she performed two years ago where she said “the first song I ever wrote in 1962,” which  was “You Were On My Mind” a big hit for We Five”. Sylvia said tongue in cheek, “My accountant asked me if I could write another one of these.”

Violin legend Scarlet Rivera is the perfect compliment to Sylvia spellbinding presentation. Scarlet is a legend in her own right having performed with Bob Dylan in The Rolling Thunder Review among a host of others greats.

Rory Block A Woman’s Soul: A Tribute to Bessie Smith

Fri Jul 27, 2018

As a young teenager Rory Block — her full name is Aurora — grew up in New York’s Greenwich Village at the height of the “folk revival.” At 14, already an accomplished guitarist, she discovered the Delta blues — then part of the wide world of folk music. She vividly remembers hearing Mississippi John Hurt in 1963, and spending time with Son House, Fred McDowell and the Reverend Gary Davis.

Her first recordings (under the pseudonym Sunshine Kate) were made for Elektra Records, but she didn’t return to the studio until 1975 when she recorded for RCA Victor and Chrysalis before signing to Rounder Records, for whom she cut more than a dozen albums. She has also recorded for a number of other labels, in between endless tour schedules.

Along the way, she has won five W.C. Handy Awards (now known simply as Blues Awards) from the Blues Foundation, two for “Traditional Blues Female Artist,” and three for “Acoustic Blues Album of the Year.” She’s earned a gold record in Holland, and toured from one end of the United States to the other end of Canada, not to mention Poland and Norway and Italy and a half a dozen more European countries.

The Beaches Jazz Festival Celebrates 30 Years!

Fri Jul 20, 2018

The Beaches International Jazz Festival is a 10-day music festival held each year in the lakeside Beaches community of Toronto in the month of July. Originally started in 1988, it is now one of Canada's largest free music festivals with nearly 800,000 attendees, throughout its 10-day span. The Festival takes place across a number of venues; stage concerts are held in several different parks within the area and also along a two-kilometre stretch of the Beach main street - Queen Street East.

Every year, the Festival brings in internationally acclaimed performers while also showcasing local talent, including “new generation” jazz musicians. The Festival now hires around 1000 artists per annum, including 50 bands for its “StreetFest” event along Queen Street East.

BTW Rayland Baxter, Moby, Annie Bonsignore, Rae Spoon, Stephanie Ratcliff, Sirens Of Shanti

Fri Jul 20
Rayland Baxter

Alt-country/Americana artist Rayland Baxter has offered a new song from the Butch Walker-produced project, Wide Awake.. "79 Shiny Revolvers" was the first song Rayland wrote during his three-month-long isolation quest at Franklin, Kentucky's secluded Thunder Sound Studios. He composed fifty songs there, ten of which eventually became Wide Awake.

"79 Shiny Revolvers" is, in Rayland's own estimation, one of the most important songs he's ever written. Its lyrics burst with irony and cutting humour to interrogate our nation's fixation on guns: "You really wanna save the world, man / well, I wanna save it too / we can blow em away / the American way."

Amos Lee Unveils Hang On Hang On

Fri Jul 20
Amos Lee Unveils Hang On Hang On

This was the hardest song for me to sing on the album,” says Amos Lee of Hang On, Hang On – the cathartic and soulful ballad at the center of his upcoming My New Moon (August 31 / Dualtone Records). While the record is largely focused on Amos finding strength in the courage of others – from relationships he built through Musicians on Call and the Wounded Warrior Project to inspiration he took from the Parkland survivors - Hang On, Hang On sees Amos use these experiences to work through profound loss in his own life. Written after Amos lost his grandmother, the song is set around the last night he spent with her: “I would’ve stayed forever,” he sings, “but it didn’t work out that way.”

Listen to Hang On, Hang On, here.

Cashbox Canada Features Archive