Backwoods philosopher Dan Mangan’s More Or Less is about “witnessing a birth, and in some ways rebirth,” says the wise one. “It’s about feeling disconnected from a popular identity and becoming acclimated to a new one. It’s about raising kids in a turbulent world. It’s about unanswerable questions and kindness and friendship and fear.”

Out on Arts & Crafts, More Or Less is an album that he claims “feels more like ‘me’ than ever. More sparse. Less meticulous. More kids. Less time. More direct. Less metaphor. More discovery. Less youth. More warmth. Less chaos.”

In the years since 20-year-old Dan Mangan began boxing his way into the corner of every noisy bar that would let him bring in his guitar he’s released four other albums, toured relentlessly, won a few awards, found a partner who tolerated his schedule, married that partner, then welcomed a baby into their home...which is when things changed.

Toronto-based singer/songwriter Ladan Hussein, known on stage as Cold Specks, is touring her most personal and revelatory work yet, Fool's Paradise. The artist recognized for her twistedly, enthralling lyrics and distinctive soulful voice, has dug deep and returned to her roots. In this masterful body of work, Cold Specks intimately explores her identity as a Somali-Canadian woman. She’s unveiled and allowed herself to stretch her palette thematically.

Known on stage as Cold Specks, CBC Music claims that “Fool's Paradise is a family-influenced affair, but above all it's Ladan Hussein at her rawest, most individual form yet — and the result is stunning.” NOW Magazine says Fool’s Paradise is “the sound of an already-awe-inspiring singer fully coming out of her shell.”