With Kempenfelt Bay serving as a beautiful backdrop like none other, residents of Barrie and beyond are set to gather outdoors to enjoy live music again this June 24th and 25th for the Troubadour Festival!

Rounding the event out with Canada’s reigning couple of Celtic fiddle, Natalie MacMaster and Donnell Leahy, the two-day Festival will span genres to feature something for everyone — including Canada’s greatest party band Dwayne Gretzky, R&B swooner Dylan Sinclair, tribute extraordinaire The Sh**ty Beatles, soul songstress Lydia Persaud, power-popsters PONY, and breakthrough pop talent Josh Bogert.

Taking place at the Meridian Place Amphitheatre, the relaxed, family-friendly, and open-air concert marks its return to playing host for folks from all over Ontario to enjoy world-class live music and entertainment. With a previously featured artist roster that includes Cowboy Junkies, Basia Bulat, Joel Plaskett Emergency, Matt Andersen, Martha Wainwright, Born Ruffians, The Weather Station, Whitehorse, and more, the tenured festival has played host to thousands of music lovers from across the province since its inaugural year in 2018.

Starting off with a blast of cheeky monkey music. Canadian pop-rock n’ roll bad boy and self-described “bastard” Zach Oliver has dropped his personal anthem and “battle cry” in the form of new 10-track LP, Banzai — available now.

“I feel alive in this music,” the Toronto-based artist says of the album as a whole. “I think that’s where the name came from. I love that ‘banzai’ is used as a patriotic cheer and battle cry. It’s kind of like the Japanese version of ‘hooray’ and shouted in the same sense as ‘long live the King’ in English…

“This relates EXACTLY to how I felt making this,” he continues. “It’s a battle cry for being original. I wanted to celebrate coming into my own.

“Although 90% of the album is about a relationship, a lot of the back-end emotion came from just being 21 or 22 years old, and figuring out who I wanted to be and what I wanted to say.”

We’re gonna start off with a mega album from an outsize perso. Been nearly five years since the last Flying Lotus album-the Grammy-nominated cadaver tetris of You're Dead! During that time out, the multi-disciplinary Los Angeles artist has remained in constant orbit, collaborating with Kendrick Lamar on the classic To Pimp a Butterfly, directing and writing the Sundance-premiered comic horror hallucination Kuso, and producing much of Thundercat's Drunk. He's also nurtured his Brainfeeder imprint into the most consistently innovative record label of the decade.

Now to Flamagra, a work which sweeps up every quantum advance and creative leap of the last dozen years of Lotus' career and takes them even further; the Warp release encompasses hip-hop, funk, soul, jazz, global dance music, tribal poly-rhythms, IDM, the L.A. Beat scene. But as per usual with FL, it soars above a specific vortex whose coordinates can't be accurately charted. He wouldn’t want it any other way, so I’m gonna call it an afro-futurist astral symphony of deep soul, cosmic dust, and an originality that will make Kayne weep.