Skip to main content

Maverick Ad

Home

Main navigation

  • Home
  • Cover Stories
  • Features
  • News
  • Reviews
  • Cashbox Legacy Awards
  • Past Covers
  • Weekly Archive
Victoria, BC's Folk Artist Kele Fleming Gives Social Media a Dressing Down in “Echo Chamber”

Breadcrumb

  • Home
  • Victoria, BC's Folk Artist Kele Fleming Gives Social Media a Dressing Down in “Echo Chamber”
Kele Fleming Photo Credit Jen Barker

Photo Credit Jen Barker

Fri Mar 11, 2022
Cashbox Canada

Echo Chamber - /ˈekō ˌCHāmbər / noun | An environment in which a person encounters only beliefs or opinions that coincide with their own, so that their existing views are reinforced, and alternative ideas are not considered.

We live in a time when finding ‘proof’ to support our ideas and beliefs is merely a scroll and a click away, and our social media news feeds provide a precision-tailored buffet hot and ready to serve our appetites for confirmation bias. With that, Canadian folk rock artist Kele Fleming is spotlighting social media’s divisiveness through the ‘thoughts’ of a futuristic AI character with her timely new single, “Echo Chamber” – watch and listen on YouTube here:

‘So long in an echo chamber, I’m getting into danger’

“Some say that social media is the ultimate echo chamber,” notes Fleming. “It can give us the ability to connect with like-minded people while shielding ourselves from divergent viewpoints.”

Fleming has witnessed, as many of us have, the dangerous outcomes that can result from being able to surround ourselves with only beliefs or opinions that agree with our own. We can see this scenario play out in daily life now.

“When all we hear are our own voices and ideas reflected back, this does tricky things to our sense of reality and truth, not to mention self-image,” she adds.

An examination of this troublesome societal issue isn’t how this song started out for Fleming and her co-writer Ron Yamauchi. It began as a song about a key character in a new sci-fi musical that the two long-time collaborators started working on in 2018, prior to Fleming writing, recording, and releasing her latest full album in 2020, The Song I’ll Write for the Rest of My Life.

“We weren’t initially thinking of the idea of the world of social media creating an echo chamber,” explains the Ontario-born, Victoria-based artist. “We were envisioning an AI character who has been entrusted with the care of a spaceship crew while they are in hyper sleep. The AI is alone with their thoughts for too long and becomes a little unhinged.”

My voice has been my only true friend
I’ll listen to me until the end
My role is to serve
But there’s much more I deserve

Both the AI’s thoughts and the musical environment they’re carried in in the song evoke that focused singularity of being in an echo chamber where no external influences are allowed in.

“The song opens with the hammering of a single note like a Morse code signal,” describes Fleming. “Musically, it’s a melodic plaint driven by a syncopated piano rhythm. The drums, bass and keys fall in step to create a mesmerizing tiktok or robot-like vibe that gives the lead voice lots of space to play with.”

After Yamauchi dug a half-finished sketch of the song out of his songbook, the two finished it and earmarked it as one of the character vehicle songs in the production. Fleming and Yamauchi plan to finish the musical, which centers around a small crew on a deep space mission to find a suitable new home for humanity, this year and hopefully to stage it in 2023, pandemic-willing.

As with Fleming’s last album, “Echo Chamber '' was recorded at Vancouver’s Warehouse Studio with JUNO award-winning engineer Sheldon Zaharko. Fleming and Yamauchi premiered the new single with a live performance and discussion on - where else - Fleming’s Facebook and Instagram accounts on Friday, Feb. 18th and a self-produced video premiered on YouTube the same day.

In “Echo Chamber” the disquieting experience of a single AI being losing its perspective and purpose while traveling at warp speed through the universe eerily parallels the route many humans are currently taking down the pitfall-laden, social media highway.

“Social media has been a connector during the pandemic, but we’ve also seen it can be divisive,” observes Fleming. “It’s not a pretty picture of our present and future if we’re all hurtling through space isolated in our own little echo chambers, with no opportunity to consider viewpoints or beliefs or identities different from our own.”

For more on Kele Fleming check out:
tinforest.com/
instagram.com/tinforestpix/
facebook.com/keleflemingmusician
twitter.com/tinforest
open.spotify.com/artist/4AP9WeWCKUCRRqDn6mmKkE?si=XQhi4XLCRwKPVJdYFindmA&nd=1

Features
Music
Kele Fleming
Month: Apr 2022
Award-Winning Rocker Robb Nash is the “Ally” Many Need with Release of New Single… Apr 29
I Am In Search of a New Artist! Apr 29
JUNO-Nominated Canadian Pop Group Girl Pow-R Dazzle with Out-Of-This-World… Apr 29
LeAnn Rimes How Much a Heart Can Hold Apr 29
Americana Songstress Francine Honey Lights the Way Through Life With New… Apr 22
Spike Bulgarian Music Showcase Announces Delegate Panelists for Inaugural… Apr 22
Robert Plant – Is That Guy Apr 22
No, I Won’t Discuss Your Music! Apr 22
Actor, Singer/Songwriter Ian Lake Releases New Album “What It Is” Apr 22
Music Legend Kenny G (And Friends) Headline Restoring Hope Roy Thomson Hall… Apr 15
3x JUNO-Nominees & 4x CFMA Winners Sultans of String Release New Single… Apr 15
Fiona Ross Shows What a Difference a Creative Week Can Make with Newly… Apr 15
Quintet Ensemble Vivant Release Groundbreaking New Album, iFugue ~ A World of… Apr 15
Lynx Dean Declares World Domination with New Single Apr 15
It’s Hard To Be Different Apr 08
The 64th Annual Grammy Awards Apr 08
Myles Goodwyn Pleads For Ukraine Apr 08
Danny Marks Spotlights Radio’s Enduring Power to Connect With "Man on the Radio… Apr 08
The Blind Leading The Blind Apr 01
Music Historian Tom Locke Chronicles the Most Memorable “Moments In Time” in New… Apr 01

Pagination

  • First page « First
  • Previous page ‹ Previous
  • …
  • Page 21
  • Page 22
  • Page 23
  • Page 24
  • Current page 25
  • Page 26
  • Page 27
  • Page 28
  • Page 29
  • …
  • Next page Next ›
  • Last page Last »

CEO/PUBLISHER/EDITOR IN CHIEF
SANDY GRAHAM

email:sandygrahamemg@gmail.com 

Canadian Journalists:

Contributing Journalist - Canada and Global
Don Graham
email: dongrahamwriter@gmail.com

Contributing Journalist - Canada and Global
Lisa Hartt
email: lisahartt87@hotmail.com

Contributing Journalist - Canada 
Michael Williams
email: greydread@gmail.com

 

 

 

 

International Journalists:

Contributing Journalist - Sweden
Malin Osth
email: malin@musicdays.se

Contributing Journalist - Sweden
Jonas Tancred
email: jonas@musicdays.se

Contributing Journalist - USA
Rob Durkee 
email: rockster2746@gmail.com

 

 

 

 

 

 

Web Developer/Technical Support
Chris Wardman

email: info@chriswardman.com
website: chriswardman.com

Cashbox Cover Design and Graphic Artist
Jain McMillan

email: jainmcmillan@gmail.com

Contributing Photographer 
Tracey Savein - South Paw Productions
southpawproductions@rogers.com

 

 

 

Footer menu

  • Home
  • Features
  • News
  • Reviews
  • Cashbox Archive
  • Issue Archive
  • Past Covers