The bikers’ famous credo is that we ride to live and live to ride. But Graeme Jonez wants you to know that it runs deeper than that. His new single, “Ride or Die,” raises the stakes of a life on the road to something truly metaphysical—an irresistible rendezvous with the infinite that’s just a full tank of gas away.

A gutsy, gritty piece of latter-day roots rock, the song is sung from the perspective of a rider who’s surrendered to the call of the “great highway,” trusting it to take him wherever it will. That road might even end in death, but he welcomes the chance to one day learn “the kind of things no living man knows.” In the meantime, he harbors “no worries about tomorrow/’Cause tonight it’s ride or die.”

98º is back and better than ever with their new single "Got U," out now, a heartwarming anthem of love, devotion, and connection from their upcoming album Full Circle (May 9th, 2025/ XOXO Entertainment Corp.) Penned by Alex Cantrall (JoJo, Toni Braxton, EXO, SHINee), Carsten Schack (Whitney Houston, 2Pac, Brandy, Usher), Kenneth Karlin (Backstreet Boys, Mary J. Blige, Monica, Sting), and Nick Lachey, the track showcases the group’s signature harmonies and emotional resonance. Produced by Anders Bagge (Celine Dion, Janet Jackson, Madonna, Santana) with polished finishing touches from 5x Grammy Winner, Orlando Calzada (Lady Gaga, One Direction, Beyonce) and mastering by Chris Gehringer (AJR, Dua Lipa, Ed Sheeran, & “APT” by Bruno Mars & Rose), the 27-time Grammy-nominated & 3x winning engineer, "Got U" is a perfect blend of classic 98º and contemporary sophistication.

If you're fortunate enough to grow old, things begin to happen and you begin to ask yourself simple questions, like “did I leave my keys in my wallet or in my car? Did I leave my wallet in my car or at home? Did I leave my dentures in my car or in my wallet?” Time remains undefeated after all. But for Whiskey Jack, the process of aging has provided inspiration for their latest whimsical toe-tapper "O L D."

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"O L D" was inspired in early 2024 when singer and guitarist Douglas John Cameron was chatting one day with his old pal Steve Hunter. During the discussion, Cameron had a momentary brain lapse and forgot something. "It looks like you've got the O L D," Steve quipped with a laugh. The apt response was the creative spark for the single. "I just wrote about everything that was happening around me at the time -- losing keys, doctor appointments, and pickleball," Cameron says. "The song wrote itself."

Depression and mental health issues can be heavy topics to discuss. But with more awareness comes more empathy and ways to address these issues head on. Folksy singer-songwriter Sara Kae, an Ojibwe and Cree member of Ontario's Lake Helen First Nation near Thunder Bay, has tackled the subject with the warm, almost criminally melodic single "One Good Reason." The song should strike a chord with listeners as much as it did Kae.

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"'One Good Reason' is a song of perseverance," Kae says. "I had been struggling with mental health and the idea that it can be exhausting to keep yourself afloat through the confusion and heartache that can come with life. The song is about the temptation of falling deeper into spaces of sadness and hurt. That it sometimes feels as if situations in life and your mind are guiding you there.

They say that behind every great man is a woman. That’s the theme of “Under All the Lights,” the new single from Newmarket roots musician John Dawson that finds deep emotional resonance in the age-old poetic trope of the enduring love between … a pro wrestler and his wife?

For real, though. Behind the song’s craftily ambiguous portrait of undying devotion is the specific story of WWE superstar Cody (son of Dusty) Rhodes and his loyal spouse, Brandi. They’re the pair Dawson is thinking of when he sings of a man—seen variously as a “warrior” and a “mage” by the world at large—who knows his true strength comes from his partner.

The history of rock is rife with great driving songs: “Radar Love,” “Highway Star,” “I Drove All Night.” To that list, add J.P. Mortier’s “Drive Far,” an instantly addictive entry in the pantheon of tunes that compel you to lean on that pedal just a little bit harder the moment the first bars kick in.

His gas tank full and his yen to explore boundless, the Montreal singer-songwriter accelerates himself through a night of motor-vating all the way ’til dawn, “always searching for what’s just beyond.” At the end of the eternal horizon waits the perfect passenger—someone who can join him in his addiction to the open road.

“Someday I’ll find you,” he promises. “I’ll drive you very far.”

Choosing a song to put your own signature or stamp on can be daunting. One often has to walk the line between not being a mirror image of the original but not going overboard and completely renovating the arrangement. For the highbrow pop super group known as The Syncopation Rebels, they've walked that line perfectly with a stunning cover of Goldfrapp's "Number 1." It's guaranteed to leave you putting the song in rotation if not on a loop.

Canadian rock band The Monoxides are kicking off 2025 with the release of a new single, “Radio Sunshine.”Stream it here.

“Radio Sunshine” - a blast of summery power pop in the vein of Cheap Trick and The Raspberries with a touch of Thin Lizzy-style guitars - follows The Monoxides’ 2023 single “Let Her Know,” which enjoyed campus and community radio support as well as airplay on CBC and Stingray. 

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“Some of our longtime friends and fans may remember us playing ‘Radio Sunshine’ live as far back as 1998, but we were never quite happy with the song’s arrangement,” says Steve Hickox, the group’s lead vocalist and guitarist. “We came back to it over the years, and Marco (Rocca, guitarist) recently put finishing touches on it that we’re really happy with. It shows the sunnier side of The Monoxides, and is a tip of the cap to a lot of great 1970s power pop bands we all grew up listening to on the radio. We have a few more fun things planned for 2025, so stay tuned.”

Artists sometimes pay tribute to those who have inspired them by covering their material. But often those renditions are run-of-the-mill, note-for-note efforts that rarely push the creative envelope. Thankfully, Toronto Island-born and now St. John's, Newfoundland-based indie pop singer and acclaimed flutist Rozalind MacPhail has given kudos to Canadian jazz pop singer Jill Barber with a sensational, chic cover of "In Perfect Time," a song Barber originally released on her 2004 EP entitled Oh Heart. It's the lead single from MacPhail's anticipated 2025 studio effort Push & Pull.

Harvey Lisberg’s new memoir, Managing the Bad Boys of Snooker: Jimmy White and Alex Higgins, dives into the untold, sordid stories behind the snooker scene

When you think about it, professional snooker is a lot like rock and roll: They both involve a certain amount of gambling, and in each one, your success hinges on staying in the pocket. But there’s one key difference: Snooker players are wilder. A lot wilder.

That’s Harvey Lisberg’s story, anyway. A legendary manager who’s handled both rock stars and giants of sport, he’s chosen to spill the juicy details of the latter in his new ebook, Managing the Bad Boys of Snooker: Jimmy White and Alex Higgins. And the way he describes it, looking after the likes of “Hurricane” Higgins and “Whirlwind” White was a brush with utter madness that not even his years in the trenches of pop could have prepared him for.

Amid sadness and despair, there can be light and happiness. But managing to capture both of those moods in the span of a few minutes of a song is challenging to say the least. Icelandic indie folk singer Svavar Knútur has managed to create a beautiful dichotomy of range and emotions with a Double-A side release: the hauntingly aching "While The World Burns (Repainted)" and the gear-changing, adventurous "November," both from Ahoy! Side B and also found on his double-album Ahoy!

We’d all like to live in a pleasant self-deception from time to time. And it's even better when we can get someone else to do the heavy lifting. That's the philosophy behind “Lie to Me,” on which Ontario alt-popper Punch the Camel revisits a relationship he now knows was just a mirage—but one that still beckons him just the same.

“What if I called you and said that I wanted you again?” he wonders. “Is it hopeless, or would you just try to break my heart again?” Hmmm … sounds like a bit of a no-win scenario either way the coin falls. But only if one insists on living in reality, which may not be an absolute deal-breaker here:

“I liked it better when you lie to me,” he admits.

There are plenty of Christmas standards heard throughout the holiday season, but few would have the backstory that a song co-written by Toronto singer-songwriter Kat Goldman and senior citizen Joel Claener has. The result is "New Orleans Christmas Day," a soothing Yuletide number packing plenty of musical accents that makes you think of "The Big Easy."

Goldman says the song's origins date back to her establishing her own business entitled Songwriting For Seniors and posting a sign at a nearby natural foods store. In 2023 an 81-year-old gentleman, Claener, phoned Goldman and eagerly explained an idea he had for a Christmas song set in the Southern U.S. Claener told Goldman he'd call her back, but the call came a year later at the beginning of summer 2024. 

The train song is one of the most time-tested traditions in North American music. Yet when it’s done right, it feels just as fresh and affecting as the very first time an itinerant bluesman rode the rails. The proud tradition continues in “Last Train Home,” the exquisitely mournful title track to Niagara Falls singer-songwriter Evan Rotella’s sophomore album.

Late-hour introspection of the kind only a vagabond lifestyle can induce, the song finds our hero heading back from another night on the eternal road, pondering what he’s learned and what’s been lost to him. Rotella’s voice crackles with self-recognition as he surveys the “thieves and cheats” that are sharing the ride with him, the “heroes and saints” who are his fellow passengers on a trip whose rituals are as routine as it is outcome is unknown. 

It's a bit of a jaunt (4,128 miles to be exact) to travel from Wakefield, England to Whitehorse, Yukon. But that didn't stop the duo of Andy Campbell and Dave Langdale from naming their fine indie rock group Wonders Of The Yukon. Now, the group offers up a superb seasonal single, "Christmas Not Ending," a beautifully executed song that is rich in texture and deep in feeling.

While suggestive song titles and lyrics aren't new or novel, the songwriting quality sometimes can say a lot or leave lots to the imagination with an engaging economy of words. For Rothesay, New Brunswick-originating but now Quebec-based group Sussex, they have raised that bar with their latest single "Under Your Tongue," a toe-tapping jewel from their album Shine, which should leave you with a smile or wry grin.

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December 28, 2024 -- La Marche A Cote (8 p.m.) -- Montreal, QC

 After veering from the adult contemporary and pop worlds, Montreal blues singer Sarah Sokal is bringing a sensational and powerful new album Twisted Games to listeners led by a delectable, brawny single "Man Made." It's a beefy, bluesy, party-starting track that showcases Sokal's alluring and alarmingly strong pipes, keeping the blues alive by bridging the gap between tradition and modernity, drawing in a younger audience who appreciate both timeless blues and the appeal of mainstream music.

"Man Made," co-written by Sokal and Stewart McKie and produced by DUBë (who also mixed, recorded, and engineered the song), brings to mind the likes of classic Amy Winehouse and the late Sharon Jones with its feel-good, uplifting tempo and confident, self-assured arrangement. Keyboardist Dave Lines complements Sokal's introductory verse before guitarist Andy Dacoulis, bassist Dray Woods, and drummer Jean Nadeau flesh the "Man Made" to perfection. It's a track that almost out-Dap-Kings Jones' iconic backing group.

February 22, 2025 -- Aurora Cultural Centre -- Aurora, ON

Some music is meant for certain times and occasions, but others can transport you to those lazy Sunday mornings, reflective afternoons, or cozy evenings with a loved one. For St. Catharines, Ontario-based jazz singer Sammy Jackson, those feelings and emotions are pieced together in her complex but incredibly captivating new album In The Meantime, the follow-up to her 2021 Juno Award-winning album With You. It's a seven-song collection led by the stunning "Home Sweet Home," a song epitomizing the album's style: extremely rewarding and innovative while almost effortlessly pushing the boundaries of jazz with subtle but succulent pop hues.

"In The Meantime is a collection of songs written between 2020 and 2022 focusing on personal experiences and feelings," Jackson says. "The music on this album is a continuation of my last album With You, touching on topics about love and relationships but now exploring the complexities of marriage, family life, and motherhood."

Traditionally, Christmas shopping has seen one half of a couple get all of their presents purchased, assorted, and gift-wrapped weeks if not months before the big day. The other half? Well, they leave things until the last minute, plead with the store clerks not to close on time, and take whatever item remains on the shelves, at the cash register, or in the backroom. Now Brantford, Ontario-based Americana artist KC Armstrong has crafted the perfect, toe-tapping, upbeat narrative with his latest single, "I Hate That Sweater."

With the political climate and divisiveness rampant across many areas in North America and beyond, gathering family and friends around the table for a big feast might come with discussions or fervent arguments. But for Tillsonburg, Ontario singer Justine Chantale, she wanted to remove any baggage that could cause emotional or mental strain. With help from Toronto pop tandem Broadtree (Nicole McCafferty and Armand Antony), Chantale has created the roots-y, revealing pop rock single "Bye Felicia."