Montreal trio Timber Timbre have unveiled the video to "Sincerely, Future Pollution", the title track to their recent sixth album, released on Arts & Crafts. The video was directed, animated and produced by Joël Vaudreuil. Timber Timbre's music has arrived at a smoky, grimy space for roots sounds like blues, folk, and early R&B, fitting framings for their most politically savant album yet.

The pair have always created music that traces a shadowed path, using cues of the past to fuse the sound of a distant, haunted now. On Sincerely, Future Pollution, the band coats the stark, sensual sound of 2014's Polaris Music Prize Short-Listed andJUNO Award nominated album Hot Dreams in an oil-black rainbow of municipal grime. It is the cinema of a dizzying dystopia, rattled by the science fiction of this bluntly nonfictional time.

They're back and harder than ever. Critically acclaimed supergroup The New Pornographers are premiering the title track off new album Whiteout Conditions today. Stream/share the song at https://youtu.be/hXwGX5Es9vM . The album dropped April 7 and is the first release on the band’s own Collected Works Records in partnership with Concord Records and damn fine rock 'n' roll.

In 2015, The High Dials are so on the radar of folks who think they define the nu-pop sensibility. In which case, dudes can claim O.G. stake, as ‘In The AM Wilds’, dropping Feb.3, is the duo’s fifth full-length cookie. This thing they’ve been doing is an amalgam of psychedelic, electronic, and folk rock influences, meshing with the compositions of singer-songwriter Trevor Anderson.

Centered around the band’s founders, Anderson and guitarist Robbie MacArthur, and operating with a rotating line-up, The High Dials have spent the last while working on soundtracks for two Montreal indie films, which led to a lot of experimentation. Any long-term band can slip into a comfort zone of lazy habits. That’s where producer Marc Bell (We Are Wolves, The Fugees) came into things. “Meeting Marc was huge because he really helped us stay fearless in moving forward. He knew nothing about our history. We were able to incorporate more of the influences that had always been there lurking but never really come through.”