This week we salute ICNA Relief Food Bank 6120 Montevideo Rd. Unit #4
Mississauga, Tel: 905-858-1067
Email: mississaugafb@icnareliefcanada.ca
Because of COVID, please contact before going.

Support your local food bank. The need is real.

Stepping in with action from Alabama Shakes drivin’ wheel Brittany Howard. The high flying singer/guitarist shares a cover of Jackie Wilson’s "(Your Love Keeps Lifting Me) Higher and Higher" available on Amazon Music as part of the service’s programming for Women’s History Month.

Listen to Brittany Howard’s "(Your Love Keeps Lifting Me) Higher and Higher"
amzn.to/BrittanyHoward

Kinda quirky, kinda dorky and all intriguing, Canadian artist Denise Leslie is on a mission “to bring the fun back to jazz” through fresh arrangements, unique musical interpretations, and magnetic charisma. She lays it all out on the Toronto-area vocalist’s debut solo album, One Fine Morning — and its premiere single, her take on Brit rockers Badfinger’s circa-1971 hit, “Day After Day” — both available now! Produced by award-winning producer and guitarist Bob McAlpine, One Fine Morning sits squarely at the ambitious intersection of jazz, R&B and rock, and features bassist Pat Collins, drummer Paul DeLong, pianist Don Baird, and horn players from Brass Transit and Lighthouse.

“This album is paying tribute to the music I cherished in my formative years,” Leslie shares of the release. “Particularly the 70s. The music of that time had a pureness,” she continues. “It was a time when music could really make a difference, and when melody was more integral to songwriting.”

With all the grey clouds and freezing rain, thought we’d start with music bright, warm and of curious intent. Victoria pop experimentalist Lief Hall (a former member of MYTHS/The Mutators) is large in Japan, with a nice fan base and two record labels, Moorworks and Fennelly, which are joint-releasing her entrancing new album Roses For Ruins in Japan. The album, released in North America in April 2018, will be available on CD in Japan on March 6, 2019.

Just out is 'Glass & Obsidian', the second music video from Roses for Ruins. With its minimalist beats, distant reverberating squeals and low hushed vocal choruses, the song uses imagery of the earth's elements colliding and transforming to explore forms of renewal and radical change. Earth, metal, crystal and air emerge throughout this video as themes which bring to life the song’s lyrics through sparse, surreal and fantasy-like environments. Dramatic lighting shimmers reflect and flares accentuate the hypnotic and dream-like quality of the music while dancers explore the sound through austere and sensual movement.

Hugh’s Room Live is Toronto’s cozy nest for singer/songwriters, especially of the rootsy/folkie bent. Its new Songwriter Sessions series explores songcraft in a round robin format with players peeling back the stories behind their work. Crossing genres and tapping into the natural Canadian gift of open, honest lyrics and tunes, the artists get to delve deeper as they share their songs and bond with each other. This week’s Songwriter Session features Tony Quarrington, Andrea Ramolo, David Leask and Melanie Peterson, and happens Tues. Oct. 9, 8.30 start.

Veteran musician Quarrington has been a formidable and thriving presence on the Toronto music scene for more than 40 years. He first appeared at the Mariposa Folk Festival in 1966, and played at many renowned Yorkville nightclubs and coffee houses in the late ‘60s, performing ballads, blues and his own original tunes. Quarrington’s relentless career as a sideman and studio musician has seen him appear on literally hundreds of other artists’ recordings, playing guitar, banjo, mandolin, piano and dobro, and lending his voice as a singer.