Skip to main content

Maverick Ad

Home

Main navigation

  • Home
  • Cover Stories
  • Features
  • News
  • Reviews
  • Cashbox Legacy Awards
  • Past Covers
  • Weekly Archive
Slade Asks You To "Call Me' Like Blondie Did All Those Years

Breadcrumb

  • Home
  • Slade Asks You To "Call Me' Like Blondie Did All Those Years
Slade
Fri Sep 02, 2022
Cashbox Canada

The lights are low, the club is high on pulsating dance floor vibes and human electricity. From the speakers, a familiar synth beat strikes. You’re beckoned to the dance floor. Called.

Slade breathes a new techno-beat into the longing plea made famous by Debbie Harry and Blondie. “Call Me” is streaming now.

Watch and experience “Call Me” on YouTube here:

“I chose ‘Call Me’ as a cover song, not only am I a huge Blondie fan, but I thought a song about male sex workers could have a slightly grittier, rougher feel to it,” says MR. Slade, adding: “Exploring and clashing with sounds that were either feminine and/or masculine together.  When I write or compose music, I'm more visual than anything else. I wanted the song to sound like it was being blasted out of someone's car while parked at the pier in NYC circa the 80's. A bit dangerous in feel but with a cheeky nod and wink and an homage to idea that sex can connect us in this sometimes-cold isolated world. Dirty without the shame.”

Listen on Spotify here: open.spotify.com/track/5fWWZ0BBe4mFAupdkXAIzf?si=91d62cdcfb0b4941&nd=1

Not only did Blondie concoct a tumbler of desperately beautiful disco, and new-wave beats blending into a cocktail of need and want, MR. Slade has harnessed where these 80s icons lead and pointed the song in a brand-new direction. Produced by Neil David McDonald, MR. Slade slides in and around the lyrics; a low-fi homage to Harry’s original seduction.

“My music is an extension of my beliefs, both political and spiritual,” says MR. Slade. “The idea that if you are born a certain way based on your gender, orientation, or race that you are allowed only one avenue of expression. To me that doesn't work. I started writing music heavily influenced by the DNA of classic rock and 80s hair metal with a bit of 90s alternative/grunge/ industrial thrown in. Pretty much everything a Queer South Asian guy had no business in, but a soundtrack for my personal rebellion against Society and its rules. I wanted to prove that labels are for soup cans and not people.”

Slade’s interpretation of “Call Me” is a straight-up, dark corner of the night club love fest. It’s a gritty, electro-soundscape of “do you dares”, and “no regrets”. The song is a serve. And sets the stratosphere for more interpolated disco bangers to make a resurgence on the 2022 dance floor.

“I also wanted to explore music that was fun, aggressive, sexy but also questioned our consciousness and our individual roles in making the world a better place for all, while having the most fun doing it,” says MR. Slade.

Along with streaming the track online, MR. Slade also provides a visual component to the song. Fittingly in the video, MR. Slade wears a Debbie Harry tee, a Freddie Mercury ‘stache, and a smile that says: “Call Me”.

instagram.com/mrslade77

Reviews
Album
Mr. Slade
Month: Nov 2023
The Metal Byrds Houston’s Pop Rockers The Metal Byrds Release “Stop Motion”
Victoria Houser Victoria Houser Unveils Her Latest Single 'When You're Sober'
Wet Future Vancouver Island-based band Wet Future unveils their latest…
Wrené Toronto's Wrené Unleashes Her Dark Wonderland with Electrifying…
Les Moontunes Les Moontunes Introduce Interstellar Concept Album With Trippy, ’…
Abøn Discover Abøn's Debut Album 'Talon': Where Gentle…
Run the River Run the River Unleashes a Timeless Rock & Roll Anthem with 'Punch the Dark…
The Alter Kakers Toronto Indie Rockers The Alter Kakers Take Us on a Rollercoaster…
George Gagnidze Israeli/Canadian Composer George Gagnidze Drops Electrifying New…
Collette Cooper Collette Cooper Presents: DARKSIDE OF CHRISTMAS Chapters 1 & 2
Z Chambers Los Angeles-Based Z Chambers Pours Heart And Soul Into 'Sweetest Lies…
MDMP MDMP's 'Stranger Things' Featuring Failure’s Kellii…
Donita Large Donita Large Returns with the Blues in 'Too Much of Anything…
Hani Abadi Breaking Boundaries: Hani Abadi Unveils Acoustic Brilliance with Tiamat…
Sherri Harding Embrace the Magic of the Season with Sherri Harding's…

Pagination

  • First page « First
  • Previous page ‹ Previous
  • …
  • Page 110
  • Page 111
  • Page 112
  • Page 113
  • Current page 114
  • Page 115
  • Page 116
  • Page 117
  • Page 118
  • …
  • Next page Next ›
  • Last page Last »

CEO/PUBLISHER/EDITOR IN CHIEF
SANDY GRAHAM

email:sandygrahamemg@gmail.com 

Canadian Journalists:

Contributing Journalist - Canada and Global
Don Graham
email: dongrahamwriter@gmail.com

Contributing Journalist - Canada and Global
Lisa Hartt
email: lisahartt87@hotmail.com

Contributing Journalist - Canada 
Michael Williams
email: greydread@gmail.com

 

 

 

 

International Journalists:

Contributing Journalist - Sweden
Malin Osth
email: malin@musicdays.se

Contributing Journalist - Sweden
Jonas Tancred
email: jonas@musicdays.se

Contributing Journalist - USA
Rob Durkee 
email: rockster2746@gmail.com

 

 

 

 

 

 

Web Developer/Technical Support
Chris Wardman

email: info@chriswardman.com
website: chriswardman.com

Cashbox Cover Design and Graphic Artist
Jain McMillan

email: jainmcmillan@gmail.com

Contributing Photographer 
Tracey Savein - South Paw Productions
southpawproductions@rogers.com

 

 

 

Footer menu

  • Home
  • Features
  • News
  • Reviews
  • Cashbox Archive
  • Issue Archive
  • Past Covers