Terry Gomes completed an Honours degree at the University of Ottawa, studying classical guitar and composition. He taught guitar for many years, played in several rock bands, and performed in a flute/classical guitar duo. Later on, he released three self-penned albums in singer-songwriter/pop/folk-rock genres. In 2013, his album SHH marked a major shift into guitar-based instrumental, smooth jazz.

However, his last three releases, THE SAND IN MY SHOES and BLUE. GREEN. AQUAMARINE., and THE TROPICAL DREAM, found him moving much closer to home.

Canadian rock band Truce showcases their high-precision musicianship and stadium-filling sound in a sonic testament to the metal gods with their latest rip-roaring single,“Holyroller” – check it out on YouTube here:

The blazing new single from the Moncton, New Brunswick-based band’s meticulously crafted new album, Unentitled, the release is a labour of love accounting for various rock styles — including blues, punk, and doom.

As the band maintains, “we don't discriminate when it comes to riffs…

“If it rips, it rips.”

Truce’s seamless musical chemistry puts forth the best qualities of all band members, with a tight playing style that is often associated with the highest performing acts in the world.

The new single from singer/songwriter Mack MacKenzie's band Three O'Clock Train is “It's Not Worth It,” was recently produced by Bob Rock at The Warehouse Studio in Vancouver, BC.

Born in the North-Eastern U.S., in Maine, and raised in Montreal, MacKenzie has crossed borders both internationally and musically, through The Beatles, Bowie, Jimmy Page, Big Thief and Ghostland Observatory.

Early on in life, MacKenzie was turned on by Americana folk legend John Prine, noticed his name in parentheses on the John Denver single “Paradise,” and when he realized that he was the writer, decided that's what he wanted to be: “The guy in parentheses.”

As a Mi'kmaq Native, he takes a certain pride in watching the spotlight finally shine on the pioneering and pivotal role played by Native musicians in the history of rock and roll. “It's Not Worth It” features Mack MacKenzie, Chip Kinman, Zippy Pinhead (William Chobotar), Mary Celeste (The Modernettes) and Punk Rawk Choir including Tony Bardach (The Pointed Sticks), Chris Crud and Ron Reyes (Black Flag), among others.

Kristy Joy Smith is a mellow singer/songwriter who grew up singing and playing John Denver’s “Take Me Home Country Roads on guitar.

Likening herself to the sounds and style of Adele, or maybe Cheryl Crow, this talented new artist might be new on the charts but has had a unique career to date. Involved in Christian TV Shows, toured a teen as a musical featured soloist on a 66 major city tour (from the US to the Bahamas) with audiences of over 10,000 people.  As a former Ms. Tennessee United America in 2014, Kristy was also a model, airline stewardess and add Former Winner of Matt Duffy Showcase, of Hollywood Records (Disney Music) to the long growing list.

The best music creators are one part mathematician, one part mad scientist. They need to know how to get the right sounds out of their instrument, but also delight in mixing all of it up into an exciting, sometimes boundary-pushing concoction. The unbridled joy of skilled experimentation is evident in this, The AltoRays’ groove-driven new release “Lift” – check it out on YouTube here:

“It took a pandemic!” Austin, Texas guitarist, composer, and producer Mitch Watkins says, giving silver-lining credit to the two-year, global health crisis for allowing him and Montréal-born-and-raised, now Austin-based vocalist Dianne Donovan enough time in their schedules to finally create their long-planned duo album, Back to the Light, released late last year.

Niagara Falls, Ontario has been harbouring some sensationally psychedelic soul in the form of Canadian band Road Waves and their funkalicious new single, “Hometown” – check it out on YouTube here:

“Hometown” is a groovy composition that meticulously meshes aspects of psychedelic rock, jazz, and soul to create a song you can dance to with mesmerizing instrumental depth. The song was written on a hot summer day in 2020 and is a message to fans about the anticipation of connecting again soon through the magic of live music and audience interaction.

Listeners are treated to a delightfully rich sound that evokes an emotional musical response that transports the senses with a robust horn presence and an enviable rhythmic relationship between drums and bass that flourishes effortlessly.

Canadian folk-rock group Village Manor tells a musical tale of being lucky enough to find that unique someone in our lives with their catchy new single, “Special One” – Check it on YouTube here:

The latest Village Manor song is a heartfelt story that naturally fits the uplifting instrumental arrangement and speaks to the rhythmic chemistry of the band. Bright guitars and splashy drum fills are seamlessly interwoven with warm vocals to create a sound that is recognizable yet distinctly different.

In tandem with the smooth vocal work, the lyrics convey the trials and tribulations that come with keeping the “Special One” in our lives happy.

With handclaps, rock and roll, electric riffs, and a sonic breeze sending you into an audio oasis, Canadian / U.S. rockers Stereobabe are rolling through town like a “Tumbleweed” with the release of their new single and video – check it out on YouTube here:

The song is the call and answer for good vibes, classic music, and, as the video shows, quite literally the soundtrack for having the windows rolled down and the radio cranked up.

“While in pandemic lockdown, we started jamming a riff together,” says Stereobabe — aka the magic duo that is Leann Banks (The Von Bondies) and Ted Lamont (Blasternaut). “We ultimately thought the word ‘Tumbleweed’ fit really well, and gave us a lyrical direction to take the song.

“It also gave us a direction to drive!” they continue. “So, we finished writing the song and started planning a road trip to the American southwest to film the video.

Delivering powerful riffage and remarkable vocal performances, there is no strain too much to push through for Saint John, N.B. alt-metal rockers Sonic Detour. And nowhere is this made more abundantly clear than in their new single and video, “Dolls” – check it out YouTube here:

A power-metal ballad filled with introspective lyrics masked by the gritty chugs and vocal performance accommodating them, there’s an intentional attempt to redirect the listener’s interpretations of the lyrics, creating an air of mystery, while also encouraging a replay.

“I don't like to say what any of the songs are specifically about,” lead singer Goose shares. “I want the work to stand on its own. I want to leave it open to both interpretation and misinterpretation.

“I'm just trying to make the listener feel something.

If you’re Son of Dave, that’s not just a hope, that’s a promise. The international blues mover and shaker, also known as Benjamin Darvill, is heralding his return home to Canada with the get-in-yer-bones new single “Someday Soon” — available now alongside his much-anticipated 10th album, Call Me King.

Check out “Someday Soon” on YouTube here:

After 24 years of living and making music in London and relentless global touring, this one-man harmonica and beatbox party is back home again in his native Winnipeg and ready to blast out his unique brand of less-is-much-more, funky and inventive rhythmic blues. That blues thump bump and wiggle are back in his stride on his 10th album of classic Son Of Dave harmonica beatbox bluesman vibes. The ten, self-written tracks on Call Me King are a tasty, groove-laden buffet of meaty rhythms punctuated by Son of Dave’s stellar harp riffs and melodies. 

Skid Row and earMUSIC join forces to announce the release of the anticipated new studio album, The Gang’s All Here on October 14^th, 2022. This announcement coincides with the launch of the iconic hard rock band’s Las Vegas Residency (as the Scorpions’ special guests) on March 26th, as well as the debut of their brand-new single, the title track “The Gang’s All Here.”

Check out “The Gang’s All Here” on YouTube:

“The Gang’s All Here” is an oath of triumph, exploding with powerful energy that makes us hunger for more. It is the logical next-generation leap of the band’s trademark sound that stomps out new ground — with singer Erik Grönwall (formerly of H.E.A.T, one of the best frontmen of this or any hard rock era) joining the family.

With dueling juxtaposition between saving the world and merely surviving, International experiential alt. hip-hop collective Lazy Habits’ newest release “Waves” most closely resembles a cinematic production for the apocalypse.

Available now, the track lands ahead of the London, UK-based band’s forthcoming album, Vermillion Sands, and serves as a call-to-action, so to speak — however, the agenda is up to the listener.

Featuring spirited brass crescendos and driving string staccatos, “Waves” is toxically euphonious. Inspired by a collection of Short Stories by JG Ballard, Lazy Habits set out to create an immersive soundtrack for utter catastrophe and, in “Waves,” they don’t dare to hold back.

Check out “Waves” on YouTube:

Multi-award-nominated New Brunswick-based Indigenous singer/songwriter Mike Bern pays tribute to those who came before him with the melancholy new single, “Ancestors”.

Listen to “Ancestors” here on Spotify: open.spotify.com/track/72SFipftPSHRrVXVLppGnj?si=e9d99719acc348d7&nd=1

Hailing from Tobique First Nation, “Ancestors” is a song inspired by a visit Bern made to an Angel Reader — a person who can communicate and receive an angel’s words and visions.

Bern visited while grieving a family passing, and a message was received; it was a call to action to use the power of song to honour those who came before. “Ancestors” is Mike Bern’s dedication to the sacrifices of generations of a family whose shoulders he rests upon.

An ethereal soundscape with lush guitars, anthemic vocals, and catchy synth harmonies, “Ancestors” tells this story of pride while a range of musical influences is complemented by bold lyrics that draw on the strength of Bern’s forbears and the connection to his ancestry.

JUNO Award-winning and four-time nominee Reggae legend Kirk Diamond knows what it takes to create powerful stories laden with prolific melodies. His most recent single “Ruler (feat. Slim Flex)” is no exception to this rule – check it out YouTube here:

The singer, songwriter, producer, and social activist’s music is laced with messages of unity, inclusion, and love joined by the Movement of Ahryel. Since its formation, the band has opened for international reggae powerhouses and performed on global stages.

With a rich and polished career in the music industry, it’s no surprise Kirk Diamond can muster up such euphonious productions. “Ruler” is a great reflection of Diamond’s prowess and influence on modern-day Reggae. Fusing current production methods and the traditions of Reggae, the track features tasteful synths paired perfectly with pulsing percussion and slamming strings.

Saddle in to be “Devoured” by the latest single from alt-rockers Gardenhead – check it out on YouTube here:

The thrashing metal anthem from the Finnish four-piece slams out your speakers with a mission: keep the listener wide awake, horns in the air as the band — Jonne Nyberg (vocals & guitar), Antti “Andy” Silkelä (drums), Eero Silkelä (guitar) and Antti Lammi (bass) — pound your musical pallet into submission.

“‘Devoured’ was initially a bunch of Eero's riffs and a couple of Jonne's melody ideas we played around with at the end of rehearsals,” says Andy. “One night I walked out of the void that we call our practice space and thought of a quote from Stephen King that our late friend would've wanted to get a tattoo of: ‘Monsters are real, Ghosts are real too. They live inside us, and sometimes, they win.’

J Morris, also known as Ya Favourite Lightskin, has enough energy to power a fleet of hybrid cars, enough soul to raise a church roof, and enough music in his blood to contaminate the average man. And, featuring IAMSOULFUL and Mischa, the Canadian hip hop artist harnesses it all into his latest single, “Lockdown” – check it out on YouTube here:

Drawing on his years of music and entertainment experience and stories to tell, J Morris’ latest track is a fiery hip-hop collaboration that keeps its foot on the pedal the entire way. With hard-hitting lyrics and a mesmerizing hook, “Lockdown” swims between the lines of upbeat to mid-tempo hip-hop. J Morris lays the foundation with a clear-cut lyricism that upholds his stance on maintaining his passion for the art in a world that tries to hold you back.

Alongside its gripping and story-rich new music video, Canadian singer/songwriter jsin tells an uplifting story of positivity and self-acceptance with an uptempo edge on his latest single, “I Choose Love” – check it out on YouTube here:

Groovy from the get-go, “I Choose Love” is the rocking new release from the Toronto-based artist’s eclectic new album, Surrender (2022). The close-out track to the six-song EP, it draws on the pop-rocker’s emotional complexity and compositional strength to construct an anthemic sound embedded with deeply personal ideas.

Reflecting on his own experiences, jsin conveys his unique perspective through his silky-smooth vocal stylings and a multi-rhythmic approach to instrumentation that fills the ears with delight; rich melodies and a catchy hook are the vehicle for his ideas of self-reflection and the journey toward self-forgiveness.

Canadian artist JSJ (Joshua Säde James) has “Gone” into an utter whirlwind of euphoria with the release of his newly minted single, and audiences shouldn’t wait to say ‘same.’

Oozing with R&B finesse, the insta-classic is an ode to the ex-lover caught in a tryst, causing lunacy for whoever is left behind in their trap. 

“This song is my ‘Cruella has entered the chat’ moment,” JSJ reveals. “It’s the Gemini's lament to love.

“‘Gone’ is a sonic roller coaster that hurls you up and down as love battles hatred.”

Check out “Gone” on YouTube here:

Canadian singer/songwriter duo Fresh Breath take a stroll down memory lane in an autobiographical tale of love and excitement with the splashy new single, “When We First Met” – watch it on YouTube here:

The latest single off of Fresh Breath’s dazzling EP, How Did I Get Here, “When We First Met” is part of the collection of six original tracks with hints of creative influence from artists like The Allman Brothers Band and Alanis Morrisette.

The single came together as a regular love song at first, but was quickly repurposed to tell the true story of how this married singer/songwriting duo first met. The idea dawned on Katie Pascoe, one half of Fresh Breath, as she was listening to Paul Simon one day; she began to hum the melody into her voice memos app and decided it was the perfect song to talk about the origin story of her and her husband, the other half of Fresh Breath, Josh Pascoe.

Dutchman brings a statement to their sound in directions that make you Rock, make you Roll, and keep you hanging along for the ride. Always feel at home with their groovy piano-based ballad, “Going Nowhere” – check it out on YouTube here:

It’s the “Hear You Me” of Jimmy Eat World. The “My Immortal” of Evanescence. It’s the “Good Riddance” of Green Day and the “Broken” of Seether. “Going Nowhere” is the vulnerable counterpart of Dutchman's signature rock and roll. And it leads the listener down a soundscape of fondness for looking back.