Skip to main content

Maverick Ad

Home

Main navigation

  • Home
  • Cover Stories
  • Features
  • News
  • Reviews
  • Cashbox Legacy Awards
  • Past Covers
  • Weekly Archive
I Want To Have My Music In A Movie (Do It Yourself vs a Publisher)

Breadcrumb

  • Home
  • I Want To Have My Music In A Movie (Do It Yourself vs a Publisher)
Peter Åstedt
Fri Oct 23, 2020
Peter Åstedt

(Part Four of Four)

Another topic to discuss is that people think it’s hard to place songs. After hundreds of placements, I can tell you that it’s not. Still, there is some stuff you need to consider.

Yes, it’s hard to be friends with supervisors and ad-agencies. If you want to be close to them you don’t have the time to be an artist. You need to spend your time between NYC, Los Angeles, and London and make sure you are invited to cool parties to meet all of them to find the latest leads. On top of that, you only have your songs. Okay that is maybe around 50 of them but supervisors need big catalogues of different music and they need it now, so you don’t have the time to write all the things they ask for even when you do get the leads.

Luckily, there are people doing this for a living. There are sites and companies and stuff you can contact that will pick up your music and work for you. Don’t think though that you are special, they just need a catalogue, but if your stuff works you have their attention. Especially if all the rights and other things are in line (see my earlier blogs regarding this). Also, supervisors tend to not like to fool around with artists who want to discuss the deeper meaning of a song. They want it done and just move forward.

I met an artist two years ago. She was very arrogant about the fact that she had signed with a big publisher. "The biggest one in my country", she added. She was in full belief that this company would place her. I talked to her just a couple a weeks ago when she asked me to place her songs. I asked "what was wrong with the publisher she had?" They hadn’t placed anything so now she thought I could do it. The problem here is that I can’t go out and place someone else properties. She was still with the publisher so it’s their job and rights to do it. In this case, my guess the songs are wrong, they are all about her not finding Mr. Right or about broken hearts. Another problem is they were co-written with six other people (look at my earlier blogs regarding that) so the song will not be that easy to clear. There are also already too many broken love songs so in my opinion it will be hard to place.

As well, I also know the publisher she is with, they are famous for not placing anything. Sure they promise all the artists they will work hard and they tell them that they do a lot of placements. And they don’t lie, they do but only with a handful of very famous hits that they have.

The case is as with many of the bigger publishers they have huge catalogue and in there they have established household name songs. Let’s pretend I’m doing a full-length movie and I really think “Welcome to the Jungle” with Guns 'n' Roses would be perfect. The cost to get that song cleared is insane. If my movie is a blockbuster and I have the time and almost unlimited budget I have to go to the bigger publishers that own that song. But that is me seeking them out not the other way around. That is the problem with the bigger publishers, they mainly wait by the phone and get calls about famous songs they already have the rights to in their catalogue. Seldom do I see these people getting anything new out. Another problem also is that their catalogues contain hundreds of thousands of songs, most of the placement people don’t even know you are in there. And by the way, license "Welcome to the Jungle" is almost impossible whatever budget you have.

Most of the time it’s much better to go to the sites where you can upload your songs or talk to people to work with your songs on commission. The publishers will always say that this can lead to the fact that your song is pitched twice. Over my twenty-five year career with a lot of placement this has happened once, and that was not even an issue. What is more of an issue is that some of these sites are exclusive and take the rights of your songs. So what you need to be looking for are people that work with your songs non-exclusive on commission. There are many of them and several good ones. To actually get something placed it’s better to have fifty people working for you than just the publishers who have one to three people sitting by the phone.

I meet a lot of artists that have uploaded on sites but never get placed. Another trick is also to tell what your song is good for. Is it good to drive the car to, is it about friendship, money, or other things they look for often. Tell them that information and suddenly they might take notice around your song and once it’s placed usually it’s placed more. I think though the biggest problem is that your song is not good enough to be placed. That is usually the biggest problem.

So why won’t I list all the sites where I have my music? Stop, you have to do some work yourself! Your songs will not be placed by you sitting on your ass. I was kind enough to tell you about the pitfalls. Looking for the right companies is part of your job. My guess there are sites listing these as well, or I actually know one.

This part is a part that can be done by the artist themselves. Here people just think it’s easy to fool them that it is hard. The main problem is that people are lazy and want everything handed to them. The thing is to have a song that actually works for the pictures and be at the right place and the right time.

If you missed “I Want to Have My Music in a Movie” Part 1-3 you can log on here to catch up!

Part One of Four: cashboxcanada.ca/index.php/features-music/i-want-have-my-music-movie-placement-went-wrong/4165
Part Two of Four: cashboxcanada.ca/index.php/features-music/i-want-have-my-music-movie-know-rights-part-two-four/4181
Part Three of Four: cashboxcanada.ca/features-music/i-want-have-my-music-movie-understanding-process-part-three-four/4192

Editor’s Note: Peter Åstedt has been working in the music industry for over 30 years. He has started record labels, distribution systems, and publishing companies. Peter also runs several major showcase festivals and is an advisor for INES and co-founder of MusicHelp/Discover Sensation. He has worked with the Top Ten most streamed songs and had music on both the Olympics and Super Bowl. Peter has currently taken up the seat of Station Manager of Cashbox Radio, working with MD, PD and station owner, Sandy Graham. His latest venture is a new Showcase Festival in Sweden, Future Echoes scheduled for September 16-18, 2021.

Features
Music
Peter Åstedt
Month: May 2020
BTW This Week-Liza Anne, Oxen, Mele Fleming, Gord Sinclair, Evangeline Gentle… May 29
Rick Springfield & Vance Degeneres “THE WALL WILL FALL” Raises Fund for… May 29
Lynx of Legendary Band Random Order Creates Re-release of “Things Fall Apart” to… May 29
This Is Why You Really Can't Release DIY May 29
Thomas Wade is Back in the Saddle at Radio Now with Haggard and Jones May 29
Drake Jensen Burn The Floor May 22
BTW This Week- KIIA, Thao & The Get Down Stay Down, John Borra, Gianni… May 22
Pop Artist Ashley Lyn Gets Candid & Direct About Love & Career in “I Want… May 22
The IQ And EQ In The Music May 22
BTW - Catbite, Omnigone, Liona Boyd, Matt Weidinger, Call Me Malcolm, Martha &… May 15
The Bogus Record Labels Are As Necessary As A Fish Needing A Bicycle May 15
Julian Taylor and The Ridge May 15
‘First Lady of the Guitar’ Liona Boyd is “Sending Love In The Time Of Corona” May 11
BTW This Week-Jesse Cook, Satori, Commonwealth Choir, Shred Kelly, Felixity, The… May 08
Say No to Play for Free May 08
Jesse Cook Called on Fans to Collaborate in New Single, “One World, One Voice” May 08
Don Graham Releases New Single “You Can Count On Me” May 08
Bruce Cockburn Announces ‘True North - A 50th Anniversary Box Set’ May 05
BTW-Sven Gali, Prescilla Una, Pantayo, Jesse Cook, Emily Rockarts, Don Graham, Kim… May 01
To Release a Song You Need a Vision May 01

Pagination

  • First page « First
  • Previous page ‹ Previous
  • …
  • Page 42
  • Page 43
  • Page 44
  • Page 45
  • Current page 46
  • Page 47
  • Page 48
  • Page 49
  • Page 50
  • …
  • Next page Next ›
  • Last page Last »

CEO/PUBLISHER/EDITOR IN CHIEF
SANDY GRAHAM

email:sandygrahamemg@gmail.com 

Canadian Journalists:

Contributing Journalist - Canada and Global
Don Graham
email: dongrahamwriter@gmail.com

Contributing Journalist - Canada and Global
Lisa Hartt
email: lisahartt87@hotmail.com

Contributing Journalist - Canada 
Michael Williams
email: greydread@gmail.com

 

 

 

 

International Journalists:

Contributing Journalist - Sweden
Malin Osth
email: malin@musicdays.se

Contributing Journalist - Sweden
Jonas Tancred
email: jonas@musicdays.se

Contributing Journalist - USA
Rob Durkee 
email: rockster2746@gmail.com

 

 

 

 

 

 

Web Developer/Technical Support
Chris Wardman

email: info@chriswardman.com
website: chriswardman.com

Cashbox Cover Design and Graphic Artist
Jain McMillan

email: jainmcmillan@gmail.com

Contributing Photographer 
Tracey Savein - South Paw Productions
southpawproductions@rogers.com

 

 

 

Footer menu

  • Home
  • Features
  • News
  • Reviews
  • Cashbox Archive
  • Issue Archive
  • Past Covers