Alt folkie Kalle Mattson is coming round with a new album, Youth .a coming-of-age record about innocence lost, promises denied, and the purgatory of one’s mid-20s. When Mattson began writing the album, his motto was “folk is dead”, but he still demoed all the songs, “just me and an acoustic guitar in my bedroom ...unique, I know,” he says. While the songs may begin on the ol’ six-string, the final tracks on Youth. see Mattson shifting the focus to keyboards and drum machines with help from producer Colin Munroe (Drake, Sky Ferreira).

WATCH AND SHARE THE ALBUM TEASER VIDEO HERE

Veteran blues-soul man William Bell smiles when I suggest he’s been working the music business for half a century, before correcting me with a laugh: “Sixty years now, in fact,” he says. Bell was one of the earliest Stax musicians, signed to the label back in 1961 primarily as a songwriter, he always had the ambition to make his mark as both writer and performer. An ambition he readily achieved and three-score years later, he continues to deliver top-notch material with scarcely a trace of effort.

Currently working on a new album, Bell is studio-bound though he still loves life out on the road: “I never tire of the travel, meeting the fans, working hard,” he confirms. “Right now I’m working on a bunch of new songs, some for other artists, and some for a new release I’m working with.”

Here's another Canuck star in the making, this time in the field of electropop. Award-winning electropop artist Velvet Code has announced the August 22, 2018 release of his highly-anticipated first single “Break The Silence”, from his upcoming sophomore album. Collaborating with industry legend Wendy Starland (the woman responsible for developing and discovering Lady Gaga), “Break The Silence” is being billed as a confident follow-up to Code’s previously acclaimed work, which has been featured on hit television shows such as Jersey Shore and The Hills.

Deriving musical influences from the likes of Freddy Mercury, Depeche Mode and Imagine Dragons, Velvet’s new single aims to shine the light on the pressing issue of mental health. Throughout his career, the openly gay musician has dealt with varying degrees of depression and anxiety and is hoping that messages in his music will help listeners going through difficult times

2018 ALGMS Winner to be Announced Amongst  Performances from Previous Recipients, Tuesday, September 25, 2018 @ Grossman’s Tavern, 379 Spadina Avenue in Toronto.

The Amy Louie / Grossman’s Music Scholarship continues to accept submissions ahead of its annual ALGMS Fundraiser at Grossman’s Tavern this September 25th. The submission window closes September 14th.

The ALGMS is an artist development bursary created in honour of the late Amy Louie, whose family has been a mainstay in the local music community and owned Grossman’s Tavern since 1975.

Since the scholarship’s inception in 2013, it has grown to a disbursement of $2,000. The prize is awarded annually to a group or individual artist from the Greater Toronto Area whose winning project proposal demonstrates how the bursary would advance their music career.

LABEL: REHN MUSIC GROUP

Last single “Slide” was added to Spotify New Music Friday lists in Germany, Switzerland,Norway, Denmark & Iceland as well as native Spotify-playlisting on lists as "Hangover Friendly" and "New Talent" Slide was also featured in various blogs as museek.de - altitude - dansendeberen - popmuzik.se and more.

Simon Alexander is announced for Sweden’s biggest Showcase Festival LIVE AT HEART in September 2018. http://liveatheart.se. Then in October, it is on to the Oxjam Camden Festival - London UK - German Tour spring 2019.

With a sound influenced by greats like Jeff Buckley and Neil Young to more modern songwriters like Hozier and Matt Corby, Simon Alexander is taking on the Singer/Songwriter - Folk/Indie scene bringing his profound lyrics and heartfelt melodies.

Simon Alexander was born and raised on the west coast of Sweden. From early years the interest for music was immense, and Simon spends the majority of his time as a drummer in various constellations while writing on his own material behind closed doors.

Some say this is pop music for your mind’s eye. With songs that play like home movies rich in imagery and characters, Colour Film is the stage name of Hamilton, ON's multitalented Matthew de Zoete. The moniker embodies his idea of songs as little films, where a combination of characters, stories, and emotions create a visual element in the listener's mind. His latest release Super 8 blends pop and folk to set six of these cinematic songs in an atmospheric soundscape conjured with producer Les Cooper (Jill Barber, Good Lovelies). Imagine Nick Drake cheering up a bit and meeting Beck.

Since 2006, de Zoete (pronounced "duh-ZOO-tuh") has released three previous albums under his own name and toured throughout North America and Europe. He has shared the stage with acts such as Serena Ryder, Great Lake Swimmers, and Whitehorse, and he's performed at festivals including North by Northeast, Canadian Music Week, JUNOfest, and Stukafest (Netherlands).

James Leblanc and The Winchesters are trying hard to reach their goal on Pledge Music but still need your help. James and The Winchesters are based in the Muscle Shoals area and are hard at work at The Nutthouse Recording Studio recording their album ‘The Devil Between My Ears’. Bandleader James Leblanc, “Thanks for this opportunity to keep getting the word out. The first thing I want y’all to know is I ’m grateful to be able to make records. We have a blast doing it and it’s so much fun. I am pumped for this album, it’s going to a little different from my solo CDs, a little more of a band feel and is gonna be a little more aggressive. We will be exploring some southern rock aspects of ourselves, a little more edge to it musically. Plus my lady, the super talented is gonna be steppin’ out and singin’ some leads, so I’m pumped. And I am happy to tell you that the new album is coming along. We still need your help with pre-orders through our PledgeMusic campaign.”

On August 6, 1988, thirty years ago Monday, August 6, 1988, thousands of "American Top 40" fans tuned in to hear Casey Kasem do what was believed to be his very last AT40 show. Shadoe Stevens would replace him at the mike the following week. Fans particularly wanted to hear how Casey would end the show, fully expecting him to say goodbye.

Only he didn't. After promoting his TV show, Casey said, "Til then, keep your feet on the ground and keep reaching for the stars."

No farewell from Casey...but that was because it really WASN'T "farewell" for him. He would be back. The ABC network would actually PAY Casey to NOT count 'em down for the rest of 1988 and the first two weekends of 1989. But that's when Casey's contract with ABC expired. On the weekend of January 21, 1989, Casey sounded like he'd never been away when he debuted with "Casey's Top 40" on the Westwood One radio network. He was just starting a then-unheard-of radio contract for a disc jockey....five years, $15 million.

Musician, Producer, Arranger, Publisher, Studio Owner, best-selling Author; Norbert Putnam has had a lot of awards and accolades thrust upon him in his long illustrious career and is about to have another to add to his collection. On August 13th, 2018, three days after his birthday and three days prior to the anniversary of the death of one of Norbert’s favorite artists to have played on sessions with his true, close friend, Elvis Presley, he will be honored in Memphis Tennessee with a Brass Note on Beale Street. Known as the Beale Street Brass Note Walk of Fame it was started to offer a tangible embodiment of the many talented people who had put Memphis music and Beale Street on the world map and includes musicians, composers, disc jockeys, promoters and music supporters with celebrating them on the concrete sidewalks along Beale Street.

Just about the time, David Byrne was stagger dancing around a grey stage to "Blind", bulldozers were leveling the Beijing studio of dissident artist Ai Wei Wei, as arts programs across North America were getting the shiv in the ribs and Riot Pussy are again doing time. Once again, subversive art is under attack everywhere. So layered with the joyous and uplifting, especially as in bodies out of seats. David was a laying out a to-do list for the resistance. Ah, but we were there for the music and that never flagged nor disappointed. The set covered material from Talking Heads, Byrne solo albums from all periods, some collabs, a Love The Giant and some from the newbie, most given redos to fit a fun and funky vibe.

Listening to Honyock feels like walking through a post-war home that hasn’t been redecorated since 1975. Here, smoke-stained curtains obscure a hazy sun and a floral couch faces a stern stone fireplace. And, here, a dusty electric organ rests against a wood-paneled wall where, in any other house, a flat screen might sit. But while sitting at the Formica table beside a rattling, honey-colored Frigidaire, this home feels familiar, comfortable. This transportive power of Honyock’s music, though, is no serendipitous accident. Indeed, their first full-length El Castillo, produced by David Vandervelde (Father John Misty, Jay Bennett), seems like the outcome of some cosmic strategy—of fate, or something similar.

Like the best bands that take cues from the past—Wilco and Dr. Dog, Whitney and Kevin Morby, The Sacramento four piece combines the aesthetic of this era with songwriting that’s as distinctive as it is memorable. “Patron” features a dusty, retro aesthetic—a sun-faded roadside hotel, a cactus’s long shadow. It’s hard not to hear Elvis Costello or Roy Orbison in this opening track.

Elvis Costello and The Imposters – Steve Nieve (keyboards), Davey Faragher (bass), Pete Thomas (drums) – have made a sensational new album that ranks alongside the best work this singularly great artist has ever produced.

Recorded in Hollywood, New York City and Vancouver, British Columbia, Look Now is beautiful in its simplicity, reflective in its lyrical vision, surrounded by melodies and orchestrations that are nothing short of heavenly. It’s the first album Costello has made with The Imposters since the 2008 release of Momofuku and his first new album since the acclaimed 2013 Roots collaboration, Wise Up Ghost.

Anyone anywhere in the world who has seen Elvis Costello and The Imposters live can testify to their unmitigated swagger. Costello’s suspicion that it was time to return to the studio was confirmed while on the Imperial Bedroom & Other Chambers tour of the USA, last summer and he realized the power and sheer musicality of The Imposters had never really been fully captured on one record.

Alternative pop duo Lightning Echoes is taking listeners on a spherical journey of sound with their newest release, “In Circles”, available now from the usual suspects.

The Vancouver-based pairing is equal parts singer/songwriter Kaitlin Deavy and producer Alejandro Zarazúa. Having teamed up in February 2018 amidst their respective studies on music and production, the multi-instrumentalists were driven by their shared vision of music and human connection. On “In Circles” you’ll hear seemingly simple melodies swirling among complex layers of indie, folk, and what the two call “smart pop” elements.

The Guess Who are responsible for countless rock classics, which still retain a major presence on rock radio - “American Woman,” “No Time,” “These Eyes,” etc. The band is set to return on September 14^th with their latest album, ‘The Future IS What It Used To Be’, released via Cleopatra Records (available in CD, Vinyl, and Digital formats).

The band is Garry Peterson (Drums, Vocals), D# (Lead Vocals, Guitar, Piano), Will E. (Guitar, Harp, Vocals), Leonard Shaw (Keyboards, Flute, Sax, Vocals), and Rudy Sarzo (Bass, Vocals). The album’s first single,‘Playin’ on the Radio’, will be released on July 17^th. It can be heard on Spotify, Apple Music and other streaming services. Also featured on the album are several special guests including, Tommy Shaw (Styx) on vocals, Brent Fitz (Slash, Gene Simmons) percussion, Jim Kale (Guess Who founding member) and Michael Devin (Whitesnake) on bass guitar.